1930s Czechosolvakian Jade Glass Demi Parure with Filigree Details
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Gorgeous bold green choker necklace and earrings set made of famous bohemian glass! The dangling earrings are composed of a bold rectangular glass beads anchored by baroque swirls beset with milgrain details. The necklace has a center focus of three jade glass gems in a symmetrical art deco arrangement. The gems are flanked by hexagonal beads featuring the same flourishes on the earrings. The "chain" of the necklace is fully beaded with spherical and long, barrel shaped beads. Stamped "Czechoslovakia" on reverse.
Earrings 2" x .5"
8 grams
Bohemia was the glass capital of Eastern Europe, craftspeople specialized in creating bright and brilliant works that rivaled the glassblowers of Venice. Designers and artists would source much of their findings and stones from Bohemia, making it a critical site for 19th and 20th century costume jewelry makers.
1940s Hattie Carnegie Ruby Red Rhinestone Drop Earrings
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Absolutely luminous red and gold clip back earrings by Hattie Carnegie. The earrings feature a round multifaceted rhinestone top stud with smaller complementary rhinestone. Below the stud hangs a spherical cluster of red rhinestones, consisting of a various small rhinestones surrounding a larger red rhinestone. Earrings glimmer beautifully, with excellent depth and light refraction.
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
Sometime in her early 20s, Hattie had taken the last name Carnegie after Andrew Carnegie, the industrialist, philanthropist, and richest man in the United States during her lifetime. She certainly lived up to the name, having worked her way through and out of an impoverished childhood and into a glamorous life doing what she loved, while still grossing millions a year. Carnegie passed away in 1956, having been instrumental in the diffusion of Parisian fashion into American society, having nurtured the finest designing minds of the early and mid 20th century, and having designed all manner of enchanting things, including hats, handbags, gloves, jewelry, furs, lingerie, cosmetics, and even perfume.
1940s Hobe Sterling Vermeil Carved Wood Chinese Figural Demi Parure
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Rare 1940s Hobe silver and carved Bandora wood figure demi parure. The set includes a floral brooch reminiscent of a boutonnière with a tapered, wrapped base that gives way to a spray of sterling vermeil flowers, and a carved wood figure at the center. The earrings feature carved faces in bezel settings above a five - petal floral base. Marked on reverse.
Brooch is 3 inches and weighs 12 grams.
Earrings are .5 inches and weigh 2 grams each.
1950s Elsa Schiaparelli Iridescent Blue Art Glass Rose and Rhinestone Earrings
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1950s Elsa Schiaparelli Watermelon Rhinestone Parure
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Unbelievable and iconic Elsa Schiaparelli Watermelon Tourmaline colored Parure surviving from the mid 1950's consisting of 1 stamped necklace, 1 stamped bracelet & 1 stamped pair of clip earrings.Gold plated and prong set throughout. A phenomenal piece of fashion! While historic, it is classic and can be worn, adored and collected forever!
Necklace -Length 17 in. Earrings - Depth .5, Diameter 1.0 in. Bracelet- Length 7.0, Charm - Diameter 1.125, Depth .875 in.
*All MRS Couture garments and accessories have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
1950s Frank Hess for Miriam Haskell Floral Signed Demi Parure
Sold Out $825.00
Extremely rare Miriam Haskell by Frank Hess brooch and earrings in seasonal Holiday tones, circa early 1950's. Ornate cluster work in both pieces. Emerald green glass beads set in elaborate guilt metal with a leaf shape and rose montees. Focal point also includes large coral red glass beads affixed with beautiful gilt metal and fronted by small singular rhinestones. I have seen pictures of similar sets of this Haskell collection in books, and I have never come across this set in over a quarter of a century of collecting Haskell pieces. Gorgeous!
Pin - Length: 4in, Width: 1/2in Weight: 28.3 grams
Earrings - Length: 1 .5in, Width 1.5in
Weight of 1 earring: 13.6 grams, Weight of both earrings: 39.6 grams
*All MRS Couture garments have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
1950s Jomaz Colorful Crystal Rhinestone Brutalist Demi Parure
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Multi colored crystal rhinestones brighten this gold and silver bouquet by Jomaz from the 1950s. Demi parure includes coordinating clip on earrings. Perfect Mother of the Bride gift for an upcoming spring or summer wedding.
Earrings 1.5 x 1.5 inches
Brooch 2.5 x 1.5 inches
1950s Miriam Haskell Emerald Green Poured Glass and Rhinestone Drop Earrings
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1950s Miriam Haskell Green & Red Poured Glass and Pearl Floral Demi Parure
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The perfect Holiday Gift!
Exquisite Miriam Haskell brooch with baroque seed pearls, antique gilt leaves and red and green glass stones. Earrings are clip on and surrounded with large seed pearls. Marked with Haskell Stamp.
Earrings - 1 inch x 7/8 inch, weight 6 grams
Brooch - 2" x 1.5 inches, weight 22 grams
1950s Miriam Haskell Green and Red Poured Glass and Pearl Drop Earrings
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1950s Miriam Haskell Red Rhinestone Sunburst Floral Earrings
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1950s Miriam Haskell Turquoise Art Glass Chain Accent Dangle Earrings
$350.00
1960s Albert Weiss Yellow Rhinestone Daisy Brooch and Earrings
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Wonderfully bright daisy brooch and earrings set by Weiss! The brooch depicts a flower, likely a daisy, composed of solid yellow marquise cut rhinestones, with a clear multifaceted orange center, a clear green emerald cut rhinestone stem, and light green marquise cut leaves. The earrings are tiny flowers with pear cut petals and a center composed of a single orange jewel. Gold - tone back. Signature on reverse.
Albert Weiss began his career as a jewelry designer for Coro and Marvella during the 1930s, he eventually struck out on his own, creating Weiss in 1942. Weiss created high-end costume jewelry; they were initially recognized for their fine figural, but also became known for pioneering various style and design trends. Weiss was one of the first companies to use aurora borealis rhinestone Swarovski crystals (developed in conjunction with Dior in the 1950s), as well as pioneering the use of smoky rhinestones, enamel, and black japanned settings. Weiss jewelry is somewhat difficult to find, as it was only in operation between 1942 and 1971.
Earrings are 1x1 inch. 12 grams in weight.
1960s Christian Dior Poured Glass Emerald and Faux Pearl Earrings
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Magnificent Dior green poured glass and faux pearl and rhinestone clip on earrings (Germany). Faux pearls are set into a gold tone foundation with a large green poured glass center all surrounded with clear rhinestones. 1.5 X 1.25 inches 10 Grams
1960s Coppola e Toppo Blue Woven Crystal Necklace and Earrings
$1,599.00
This gorgeous demi parure by Coppola e Toppo features a matching necklace and earrings. The necklace is composed of multiple rows of crystal royal blue and sky blue beads woven together into a thick collar - like choker necklace. The necklace has large dangling multifaceted blue acrylic beads at the outer edges and a bronze clasp ornamented by round blue beads. The earrings are blue multifaceted bead clusters with a bronze clip on backing.
Coppola e Toppo was founded in the late 1940s by Milanese siblings Bruno Coppola and Lydia Toppo, but it wasn’t until 1960s, when Dior commissioned runway pieces from them, that the brand took off. Between the 1950s and through until the 1980s, Coppola e Toppo collaborated with many other fashion houses and designers, including Balenciaga, Valentino, Emilio Pucci, and Elsa Schiaparelli. Their work is distinctly elegant, elaborate, and bold, masterfully mixing glass beads with Swarovski crystals and lucite.
Earrings- 1", 14g
1960s Elsa Schiaparelli Iridescent Rhinestone Insect Earrings
$275.00
Playful rhinestone earrings by Elsa Schiaparelli. The earrings consist of two clear pear cut rhinestones with a marquise cut iridescent blue - shift rhinestone in between. The fan - like arrangement of the three rhinestones is topped off with a round multifaceted rhinestone. The earring in whole looks like a delicate little insect, a design choice in keeping with Schiaparelli's surrealist edge. Although small, these earrings pack a punch!
DIMENSIONS
H 1 in. x W .75 in.
H 25.4 mm x W 19.05 mm
WEIGHT
8 g
1960s Hattie Carnegie Egyptian Revival Enamel Scarab Door Knocker Earrings
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Astounding vivid blue, green, and orange enamel and acrylic earrings by Hattie Carnegie! This Egyptian Revival set of earrings feature a brilliant orange faux - carnelian scarab accented with a dangling moon - like enamel stripe semicircle. An amazing piece for those who love history and drama!
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
1960s Hattie Carnegie Floral Gold Tone Rhinestone Entremble Earrings
$300.00
This opulent set of gold tone pearl and rhinestone earrings is indicative of the luxurious jewelry Hattie Carnegie designed in the 1950s and 1960s. The earrings features a wide spray floral design composed of various rhinestone encrusted leaves with vines curling throughout, as well as bud - like pearls and small gold flowers set onto springs. The small golden flowers tremble when worn (hence "entremble"), giving the necklace an added layer of luxury and whimsy!
The necklace has a matching necklace that feature the same rhinestone, pearl, and entremble floral design. The necklace is available for purchase. See last image for details.
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
Sometime in her early 20s, Hattie had taken the last name Carnegie after Andrew Carnegie, the industrialist, philanthropist, and richest man in the United States during her lifetime. She certainly lived up to the name, having worked her way through and out of an impoverished childhood and into a glamorous life doing what she loved, while still grossing millions a year. Carnegie passed away in 1956, having been instrumental in the diffusion of Parisian fashion into American society, having nurtured the finest designing minds of the early and mid 20th century, and having designed all manner of enchanting things, including hats, handbags, gloves, jewelry, furs, lingerie, cosmetics, and even perfume.
1960s Hattie Carnegie Gold Snake Chain Earrings
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Stunning scintillating gold snake chain earrings by Hattie Carnegie! The earrings feature free swirling gold tone snake chains wrapping underneath a larger chain with chevron - like marks. Simple but stunning!
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
Sometime in her early 20s, Hattie had taken the last name Carnegie after Andrew Carnegie, the industrialist, philanthropist, and richest man in the United States during her lifetime. She certainly lived up to the name, having worked her way through and out of an impoverished childhood and into a glamorous life doing what she loved, while still grossing millions a year. Carnegie passed away in 1956, having been instrumental in the diffusion of Parisian fashion into American society, having nurtured the finest designing minds of the early and mid 20th century, and having designed all manner of enchanting things, including hats, handbags, gloves, jewelry, furs, lingerie, cosmetics, and even perfume.
1960s Hattie Carnegie Rhinestone and Crystal Chandelier Earrings
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Beautiful clear crystal drop earrings in the form of a chandelier. Crystal and rhinestones are set into a silver metal. Large rhinestone set into the front of the clip. The crystals and rhinestones catch the light and sparkle.
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
1960s Hattie Carnegie Tangerine Glass Bead Necklace and Earrings
$265.00
Gorgeous tangerine glass beaded necklace and matching rosette earrings accented with tiny gold beads. Beautiful and elegant rosette clasp. This is the perfect accent to brighten up any outfit, any time of year!
Necklace - Length: 10, Width: .75, Weight: 3.32 oz
Earrings - Length: 1, Width: 1,
Weight of 1 earring: .48 oz, Weight of both earrings: 1.00 oz
*All MRS Couture garments have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
1960s Miriam Haskell Limoncello Patte de Verre and Amethyst Rhinestone Demi Parure
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Each earring has three white champagne grape beads (often referred to as Limoncello Patte de Verre) together with an amethyst colored rhinestone center on a bed of gold leaves. One small green rhinestone placed perfectly upon each earring. The brooch has a halo of purple rhinestones surround the two groups of three beads. Purple rhinestones center of beads, similar to earrings. Rhinestone sits on a bed of gold leaves. Earrings are adjustable screw-clip.
Brooch - Length: 2 1/2 inches Width: 2 inches Weight: 1.04 oz
Earrings - Length: 1 1/4 inches Width: 1 inch Weight of 1 earring: .32 oz Weight of both earrings: .60 oz
*All MRS Couture garments and accessories have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
1960s Miriam Haskell Poured Glass Floral Brooch and Earrings - Rare
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Beautiful colorful swirling demi parure by Miriam Haskell! This set is considered rare in both the type of poured glass (multi - colored swirls) and the choice and combination of colors! This swirling orange, purple, and green (very 60s color scheme! ) earrings and brooch sit on gold - tone filigree settings. The brooch features floral metalwork and beading, making it look much like a horn of plenty. The delicate metalwork partnered with the bold swirling poured glass is marvelous!
Make a statement! No one else in the room or perhaps even the world will be wearing them! Great for Fashion Shoots, Runway Shows, the Stage, and Window Displays.
1960s Red Poured Confetti Glass Rhinestone Cabochon Demi Parure
$400.00
1960s Whiting and Davis Silvertone Snake Choker, Earrings, and Belt
$525.00
Wonderful Whiting and Davis Snake coil choker, earrings, and belt are magnificent. Thick, round, weighted silver mesh. The body is gleaming in silver. The snake head is engraved in Egyptian inspired style. This style was part of the Cleopatra collection in 1963. Purchased from a Houston estate in near pristine condition.
Belt- Length: 10.25 Width: 10 Weight: 3.64 oz's
Choker- Length: 4.75 Width: 4.75 Weight: 2. 52 oz's
Earrings- Length: 1.25 Width: .75 Weight of both earrings together: .40 oz's
*All MRS Couture garments and accessories have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
1970s Elsa Schiaparelli Blue Frosted Glass Floral Earrings
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1970s Maison Gripoix for Jean Patou Poppy Red Earrings
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1970s Whiting & Davis Egyptian Revival Pharaoh Bracelet and Earrings
$355.00
1980s Amarige de Givenchy Earrings
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Fabulous playful earrings in the iconic shape of Givenchy's Amarige perfume! The earrings have an Amarige - bottle shaped lucite gem with gold-tone detail featuring the Amarige label, hanging from a spiraling star clip stud with the Givenchy logo at the center. Striking and playful!
1980s Chanel Logo Gold and Leather Clip Earrings, Iconic
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1980s Dior Floral Rhinestone Vermeil Earrings with 14k Post
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Delightfully cheery rhinestone earrings by Dior! Each earring features two five - petal flowers consisting of triangular rhinestones in a vermeil yellow gold bevel setting with a multifaceted circular rhinestone center. The flowers are identical, with one at the top near the ear, and the other dangling freely. 14k post back ensures maximum comfort.
LENGTH
1.5 in. (38.1 mm)
WEIGHT
16 g
1980s Gerda Lynggaard Monies Blue/Black Oversized Ebony Oval Earrings
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Oversized oval clip-back carved wood earrings by Monies! The earrings are large semi-ovals with a smooth black - blue shift finish. Flat backside. Monies label on tag on reverse.
Monies was founded in 1973, by Gerda (nee Gerda Lynggaard) and Nikolai Monies. The couple operate out of their Copenhagen workshop, where they stretch the imagination and redefine the concept of jewelry. Monies plays with scale, texture, and materials (including resin, acrylic, and mammoth ivory), to create avant-garde jewelry for discerning clients. Monies has collaborated with various fashion houses, including Chanel, Christian Lacroix, and Donna Karan.
1980s Givenchy Medallion Earrings
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They’re back - 1980s medallions, coins, dubloons - and we’ve got the classic pair of them for you.
Bright, brilliant, and bold Givenchy earrings! The earrings are circular and feature a chunky gold braid - like border, surrounding a coin - like center featuring four fleur de lis in a cross shape, encircled by a ring of three "Givenchy". Made in France.
1980s Richard Kerr Art Deco Rhinestone Fringe Earrings
$180.00
Wonderful '80s-does-'20s black and purple rhinestone earrings! The earrings feature a semicircle top divided into three sections of black and purple rhinestones. Five rigid rhinestone "tassels" of graduated lengths and alternating colors dangle from the semicircle, lending the piece some Erte - like opulence.
Richard Kerr is known for his oversized, extravagant, disco-ball like rhinestone jewelry! His pieces can be seen from a mile away, are often completely bejeweled with colorful rhinestones, and shine like the sun! Kerr began designing jewelry in Dallas, Texas, in 1980.
1980s Richard Kerr Rhinestone Drop Earrings
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Striking silver on white rhinestone earrings! The earrings are composed of a semicircle top, a center sphere, and a triangular dangle, with undulations that bring to mind seashells. The earrings are absolutely covered in clear rhinestones. Amazing earrings that cannot be ignored!
Richard Kerr is known for his oversized, extravagant, disco-ball like rhinestone jewelry! His pieces can be seen from a mile away, are often completely bejeweled with colorful rhinestones, and shine like the sun! Kerr began designing jewelry in Dallas, Texas, in 1980.
1980s Richard Kerr Scarlet Red Rhinestone Drop Earrings
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Radiant vintage Richard Kerr earrings. These dangle earrings are composed of three bright red segments covered in rhinestones. The top and bottom segments are oval shaped with pointed tips, the center segment is a sphere. Center and bottom segments are entirely covered in rhinestones. Fabulous!
Large 1960s Elsa Schiaparelli Pink Molded Glass Statement Earrings
$320.00
Brilliant statement earrings (wasn't every piece she made a statement?) by Elsa Schiaparelli! These oversized clip on earrings feature a large iridescent pearl focus that masterfully anchors the rest of the design. The pearl is flanked by three chocolate brown multifaceted circular rhinestones, above which is a peacock - like spread of seven pale pink iridescent molded glass rhinestones. Spectacular.
DIMENSIONS
H 1.5 in.
H 38.1 mm
WEIGHT
28 g
Lawrence Vrba Citrine Glass Statement Necklace and Earrings Set
$900.00
Gorgeous bright yellow necklace and earrings set by Lawrence Vrba! The oversized bib necklace is incredible, and features a brilliant oversized oval cut crystal center bordered by small clear multifaceted rhinestones. The top of the oval features a slightly larger multifaceted rhinestone, and the bottom of the oval has a row of five rhinestone including a center oval rhinestone. The necklace is composed of linked together rhinestone components with an orange emerald cut center. The last two links in the necklace have a clear rhinestone center. Tassels composed of a yellow teardrop bead anchored by an orange spherical swirl bead dangle from each link in the chain, creating an amazing, shimmering fringe.
The earrings -with their orange emerald cut center, rhinestone border, and tassel drops- coordinate perfectly with the necklace.
Wear this amazing set separately to add a bit of flash to any outfit, or wear the necklace and earrings together for the ultimate dose of drama!
Necklace measurements: length: 17.5 inches weight: 174g
Earring measurements: length: 2 inches Width: .75" weight: 30g
Lawrence VRBA Ruby Pate de Verre Rhinestone Necklace and Earrings Set
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Astounding ruby red rhinestone necklace and earrings set by Lawrence Vrba! The oversized bib necklace is astounding, and features a large horizontal oval pate de verre jewel surrounded by clear multifaceted rhinestones in a variety of sizes. The necklace is composed of various emerald cut red crystal "links" surrounded by clear rhinestones. The links and the center gem are accented by tassels composed of red multifaceted cut beads with shimmering spacer, adding a bit of movement to the piece.
The earrings -with their red emerald cut center, rhinestone border, and tassel drops- coordinate perfectly with the necklace.
Necklace length : 18 inches Weight: 176g Earrings Measurements: Length 2.5 inches Width: .75" Weight: 40g
Signed 1950s Sherman Aurora Borealis Coated Brooch and Earrings
$175.00
This 1950s signed Sherman aurora borealis coated brooch comes with matching clip-on earrings. They are quite easy to have made into pierced earrings as well. The set twinkles with lovely champagne and topaz hues. Sherman, whose slogan was Made to Last a Lifetime, worked hard to ensure that his work was of the highest quality. He himself created the color schemes for his pieces. His pieces were popular from 1947 through the late 1970s.
Brooch - Length: 2in, Width: 2 in, Weight: .91 oz
Earrings - Length: 1.5in, Width: 1.5in
Weight of one: .21 oz
Weight of both earrings: .42 oz
*All MRS Couture garments and accessories have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
Vintage Juliana Iridescent Rhinestone Demi Parure
$485.00
Vintage Juliana Iridescent Rhinestone Demi Parure. The demi parure was manufactured by Frank DeLizza and Harold Elster of Delizza and Elster (founded 1947). They manufactured jewelry for such designers as Hattie Carnegie, Hobe and Weiss. Juliana was their own brand where they manufactured unmarked jewelry before 1967 and used paper tags. The Juliana brooch is adorned with iridescent rhinestones and silver and clear iridescent glass beads. Classic Juliana pin to close. Earrings are a smaller version of the brooch with the same iridescent rhinestones and clear beads. Earrings are clip-on. Unmarked.
Earring: L-1.5 in, Brooch Length- 2in
Weight 1 earring 6 g, 2 Earrings 12 g
Brooch weight 46 g
*All MRS Couture garments and accessories have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
