Description
This gorgeous demi parure by Coppola e Toppo features a matching necklace and earrings. The necklace is composed of multiple rows of crystal royal blue and sky blue beads woven together into a thick collar - like choker necklace. The necklace has large dangling multifaceted blue acrylic beads at the outer edges and a bronze clasp ornamented by round blue beads. The earrings are blue multifaceted bead clusters with a bronze clip on backing.Coppola e Toppo was founded in the late 1940s by Milanese siblings Bruno Coppola and Lydia Toppo, but it wasn’t until 1960s, when Dior commissioned runway pieces from them, that the brand took off. Between the 1950s and through until the 1980s, Coppola e Toppo collaborated with many other fashion houses and designers, including Balenciaga, Valentino, Emilio Pucci, and Elsa Schiaparelli. Their work is distinctly elegant, elaborate, and bold, masterfully mixing glass beads with Swarovski crystals and lucite.
Earrings- 1", 14g
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Country of OriginItaly
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ConditionExcellent
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Materials & TechniquesBronze, Beaded, Clip On
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SizeTotal Length
15 Inches
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8 grams
Bohemia was the glass capital of Eastern Europe, craftspeople specialized in creating bright and brilliant works that rivaled the glassblowers of Venice. Designers and artists would source much of their findings and stones from Bohemia, making it a critical site for 19th and 20th century costume jewelry makers.
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Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
Sometime in her early 20s, Hattie had taken the last name Carnegie after Andrew Carnegie, the industrialist, philanthropist, and richest man in the United States during her lifetime. She certainly lived up to the name, having worked her way through and out of an impoverished childhood and into a glamorous life doing what she loved, while still grossing millions a year. Carnegie passed away in 1956, having been instrumental in the diffusion of Parisian fashion into American society, having nurtured the finest designing minds of the early and mid 20th century, and having designed all manner of enchanting things, including hats, handbags, gloves, jewelry, furs, lingerie, cosmetics, and even perfume.
1940s Hobe Sterling Vermeil Carved Wood Chinese Figural Demi Parure
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Rare 1940s Hobe silver and carved Bandora wood figure demi parure. The set includes a floral brooch reminiscent of a boutonnière with a tapered, wrapped base that gives way to a spray of sterling vermeil flowers, and a carved wood figure at the center. The earrings feature carved faces in bezel settings above a five - petal floral base. Marked on reverse.
Brooch is 3 inches and weighs 12 grams.
Earrings are .5 inches and weigh 2 grams each.
