1960s Saks Fifth Avenue Blue & Gold Lame Psychedelic Swirl Cocktail Dress
$435.00
We love this fantastic, bold shift dress and jacket by Saks! The dress falls below the knee, is sleeveless, and has a faux turtleneck with a tie - able bow accent. The dress has a blouson waist, and the bodice is accented by tuxedo blouse pleating. The jacket is waist length, with long sleeves, and a jewel neckline with no collar. The fabric is AMAZING. A psychedelic, almost neon background of blues, greens, oranges, and purples swirled together in Ebru - like twists. The watercolor base is host to a check of gold that shimmers brilliantly above the spiraling blue. The color and shine of this dress reminds us of the shine and brilliance of a tropical fish, ha!
Jacket Measurements:
Bust: 40
Length:22.5
1960s Iridescent Blue and Brown Floral Brocade Mod Dress
$385.00
1960s Black Wool Knit Evening Dress Featuring Silver Glass Seed Bead Detail
$665.00
1950s Suzy Perette Black and Gold New Look Evening Dress with Shimmer Dot and
$555.00
Beautiful black and gold evening dress by Suzy Perette in that iconic 1950s "New Look" Style! The piece features an an elegant yet playful polkadot pattern of shimmering gold circles in varying sizes and opacities that reminds one of the night sky. The dress is midi length, falling at the calf, with straps and a rounded neckline. The dress has an A - line silhouette with a cinched waist accented by a diagonally placed black velvet bow. The dress has a large, full skirt featuring a black velvet panel that adds textural interest to the piece.
Suzy Perette was an American company that licensed French designs and created them stateside, usually selling them at more reasonable costs. Their most famous pieces included Christian Dior’s “New Look” silhouette, featuring a cinched waist and full skirt. Suzy Perette was crucial in introducing American women to the marvels of French fashion, and doing so at an affordable cost that allowed the wearer’s to look like chic Parisiennes without having to go on a transatlantic trip!
1950s Suzy Perette Red Charmeuse Satin New Look Evening Dress with Bow Detail
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Striking bright red "New Look" cocktail evening dress by Suzy Perette! This dress is classic 1950s, with a midi - length hem that falls at the calves, thin straps, and a square neckline. The bodice features ruching down the front, that tapers around the waist, creating an optical illusion that cinches the wearer's waist. The dress has a slight trumpet silhouette, with the bodice extending downward, fitted at the hipbones, and accented by a red ribbon bow. The full skirt of the dress is magnificent, and includes thick, belt - like detail at the back, recalling the voluminous dresses of the Belle Epoque, a time period of small waists and big skirts that had significant influence on 1950s fashion.
1950s Gold Floral & Peacock Brocade New Look Evening Dress
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Glorious gold floral brocade evening dress in Christian Dior's "New Look" style. The dress is magnificent, with a full, midi - length skirt that falls at the calves, and a fitted bodice. The bodice is strapless, with a sweetheart neckline accented by petal - like semicircle folds that add additional structural interest to the neckline. The dress pattern is amazing. The golden background plays host to a swirling collection of flowers, berries, and peacocks depicted in an Indian style. Dress shimmers and sways beautifully when worn. Sublime.
1970s Joy Stevens Tyrian Purple Draped Knit Evening Dress with Jacket
$430.00
2007 Donald Deal Aubergine and Ginger Colorblock Drape Bodycon Evening Dress
$485.00
1960s Treacy Lowe Mercerized Cotton Handprinted India Wrap Dress
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Luxuriously crafted velvet - textured maxi dress by Treacy Lowe London for Gump's San Francisco. The dress is maxi length, with long bell sleeves, and a v - neck collar caused by the front wrap closure of the dress. The dress - in typical Treacy Lowe fashion - features a fantastic Indian teal blue floral print of flowers of various sizes in a trailing vine - like pattern complimented with a mostly - red paisley border. The waist is cinched by a wide sash echoing the print of the hem, sleeves, and neckline. Wonderful! Sash is 78"
1960s Christian Dior Yellow, Orange and Red Floral Silk Maxi Dress
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Bold bright and beautiful Color of the Season “yellow” with orange and red dress by Marc Bohan for Christian Dior. The dress is maxi length with an A - line silhouette, lightly pleated skirt for added volume, long, fitted sleeves, a fitted bodice, and a curving V - neck with sweetheart - like point. The print of the dress is amazing! Vivid florals of varying sizes in orange and red jump off the light cream background, trailing across the dress in an almost uninterrupted pattern.
Fabulous! Zipper closure in back.
1930s Black Bias Crepe Silk Dress w/ Bead, Sequin, Bustle, & Keyhole Neckline
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1960s Malcolm Starr Deco Floral Maxi Dress in Green & Yellow
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Beautiful intricately printed dress by Youssef Rizkallah for Malcolm Starr. The dress is maxi length, with an A - Line silhouette, long bishop sleeves with a wide cuff, a fitted bodice, and a wide jewel neckline. The dress is brilliant and colorful, with bright shades of green, yellow, orange, and purple offset with cream. The dress features a spectacular Art - Deco - meets - Middle - East pattern with swirling geometric forms offset by conspicuous florals including lotus designs. Truly fabulous.
Not much is known about Youssef Rizkallah’s childhood. He was born in Cairo in the 1920s and went to study at the École des Arts Decoratifs in Paris when he was 19. While in Paris, Rizkallah apprenticed under Jacques Griffe and Pierre Balmain. Rizkallah returned to Cairo and became wildly successful providing couture fashion to the Queen of Jordan and the wives of arab diplomats. In the 1950s he moved to Los Angeles on the behest of fellow designer Jean Louis. Rizkallah soon found himself collaborating with stateside designers including Luis Esteves and Malcolm Starr. Rizhallah then went on to create a womenswear line in 1975.
Rizhallah's work was defined by brilliant colors, textures, and forms that played against each other to create elegant designs.
1920s Whiting & Davis Floral Enamel Dresden Mesh Evening Bag with Deco Clasp
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1960s Nat Kaplan Couture Green, Blue, and Gold Kaftan Dress
$425.00
Bright and shimmering maxi length couture dress by Nat Kaplan. The dress has a loose shift silhouette with long, wide kimono - like sleeves, and a jewel neckline. The dress features an amazing sheer fabric with an oversized blue and green floral pattern highlighted by thick gold linework.
After Nat Kaplan’s untimely death in 1956, his wife, Sylvia, took over the reins of the company while simultaneously raising their children alone. Sylvia was precise and exacting, she understood the company’s clients and knew that women demanded style, comfort, and convenience. She personally made sure that she tried on each and every dress on the design line before it was cut for production. The dress features the fun, bright colors, sheer fabrics, and expert fits Sylvia Kaplan liked to work with!
1980s Gorgeous Oscar de La Renta Gold Green “Dragon Scale” Brocade Dress
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Astounding maximalist evening dress by Oscar de la Renta! The maxi length dress has long sleeves, a columnar A-line skirt with fitted waist, giving the dress a silhouette similar to the cheongsam. The dress is primarily composed of brilliant golden green brocade fabric delicately defined with reptile - like scales. The skirt and "under" bodice of the dress are composed of the scale fabric, and are masterfully complimented by a black floral lace bolero jacket - like bodice with scalloped edges, a high V - neckline, and two elegant black silk frog buttons with a floral ribbon base. Black ribbon at the hem echoes he details on the top.
1990 Yohji Yamamoto Avant Garde Open Back Wool Dress
$1,995.00
Amazing dark navy blue light weight wool dress and coordinating hat by Yohji Yamamoto! The dress has a loose drop waist silhouette with lightly pleated skirt, short sleeves, and a deep V - neckline openings both in the front and back of the dress. The dress comes with a wide scarf that conceals the fichu - like V - neck.
Also available for purchase separately is an iconic wool hat designed by Akio Hirata for Yohji Yamamoto. Hat is featured in last image.
m1957 Haute Couture Balenciaga Strapless Black Riechers Marescot Lace Dress
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1970s Black Wool Evening Dress Ensemble with Oversized Rhinestone Trim
$477.00
1960s Cardinali Chocolate Brown “Sample” Cocktail Dress w/ Scalloped Skirt
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Oscar de la Renta Black Velvet Evening Dress
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1960s B. Altman Silver Shift Cocktail Dress with Multicolor Rhinestone Belt
$420.00
Playful B. Altman dress in a space - age metallic silver! The dress falls just above the knee, has short sleeves, a wide bateau boat neck collar, and a loose shift silhouette. The dress is composed of a bright metallic white - silver fabric quilted in a subtle abstract damask print. The waist is highlighted by a wide faux - belt band of multicolored rhinestones of various cuts and sizes. The band ends in a knot at the hip. Fabulously fun and fresh!
1960s Oscar de la Renta Blue & Gold Evening Dress & Jacket Ensemble
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Amazing deep royal blue and metallic gold evening dress with matching jacket ensemble by Oscar de la Renta. The brocade dress is maxi length with an A - line skirt, fitted bodice, thin spaghetti straps, and a cinched waist accented by a wide belt made of the same gold and blue material. The jacket is waist length, with long sleeves, and a mandarin collar. The pattern of the dress is magnificent, with an elaborate byzantine pattern composed of overlapping arches, scallops, and bands of repeating quatrefoils. Divine!
Jacket Measurements:
Bust: 36
Waist:34
Length:23
1970s Blue Palazzo and Fringe Knit Wear Jumpsuit
$400.00
Deep indigo jumpsuit with fabulous shawl top! The jumpsuit features a loose silhouette layered under a shawl. The jumpsuit is sleeveless with a jewel neckline, and has voluminous floor length palazzo pants that sway gently when walking. The most striking feature of the jumpsuit is its diamond shape shawl with added fringe. The shawl reaches up to the collar, and drops down into a subtly alluring scoop back. Wear the shawl down or tossed over your shoulder for a more debonair look!
1970s Zandra Rhodes Hand Painted Black Silk Dress
$800.00
This gorgeous black silk illusion dress features a large hand painted hand stenciled abstract organic mandala-like print in grey and black. The sleeveless dress has a caplet collar with carnival glass bead trim and has elastic on the shoulder. The dress has a full skirt with some light gathering at the waist. A beautiful ethereal dress emblematic of the magical, extravagant aesthetic Zandra Rhodes is known for.
1930s Bias Cut Deep Cobalt Velvet Evening Dress
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1970s Janus of Norway Red Knit Virgin Wool Skirt and Shrug
$575.00
Wonderful deep maroon red skirt and shrug set by Janus of Norway. This two piece ensemble is made out of plush, warm virgin wool featuring a mostly red color scheme with dashes of black and orange in the form of a traditional Norwegian knitting pattern near the hem. The long maxi length skirt sits at the natural waist, and skims the curves of the body. The shawl is thick and wide, and can be worn a number of ways, including around the head and neck as a scarf, or around the shoulders as a sort of slinky shawl top. Wonderful!
Janus of Norway has been creating fine wool garments and accessories since 1895.
Top Measurements: Bust: 43" Length:9.5"
1970s Victor Costa Funky Blue Floral Knit Maxi Dress
$445.00
1970s Giorgio di Sant' Angelo Biplane Intarsia Knit Maxi Dress - Iconic
$2,800.00
So fun! We love this unusual maxi length intarsia knit sweater by Giorgio di Sant’Angelo! The sweater dress has long sleeves and a jewel collar, and features an amazing aeronautic intarsia knit design of various aircrafts whirling about in the sky, including a biplane with “37007HR” on its wing. The planes are knit in a bright orange color, echoing the wide orange collar and sleeve cuffs. Stripes of green are present on the lower and upper arms, as well as on the bottom of the skirt, giving the piece a vibrant “racing stripe” edge.
A dress identical to this one has been exhibited at the Phoenix Art Museum as part of their Giorgio di Sant’ Angelo retrospective that took place in fall 2011 / winter 2012.
The sweater was was also mentioned in a 1973 Time Magazine article titled “Fashion is an Honest Sweater.”
"There are many reasons for the new sweater enthusiasm. Selections in both color and style are wider than ever… Many sweaters now sport knitted-in portraits of people or animals. Betsey Johnson's "ecology" line features trees and fish; Giorgio di Sant'Angelo portrays a plane taking off. Stan Herman's trompe l'oeil sweater dresses have fake belts and scarves knitted into the material. Others contrast jazzy colors, stripes and polka dots in dazzling juxtaposition. "Sweaters are completely different now," says Sant'Angelo. "We have these fabulous synthetic yarns and colors." Says Herman: "Sweaters are the only way to dress.""
1970s Adele Simpson Black Velvet Gold Metallic Obi Evening Dress
$425.00
Elegant evening dress in sumptuous velvet with brilliant metallic details by Adele Simpson. The dress falls just above the knee, has a wide bateau boat neck, and 3/4 length sleeves. The sleeves are voluminous and gather at the elbow. The dress features a gold metallic panel at the waist - no doubt inspired by the obi kimono belts Simpson saw on her travels to Japan! The panel is accented by a twisted braid belt with leaf clasp. Neck to waist zipper in back for closure.
Adele Simpson was born to Latvian parents, and in her childhood she performed in vaudeville productions; at one point she danced with Milton Berle!
Simpson began her career working in 7th Avenue fashion houses Ben Gershel and Mary Lee. In 1949 Simpson bought Mary Lee and Renamed it “Adele Simpson Inc.” Her company was situated in New York’s famous Garment District, and produced ready-to-wear garments inspired by French Couture. Her pieces were available in department stores across the United States, including Saks Fifth Avenue and Bonwit Teller.
Simpson stretched the limits of textiles, and had a hand in popularizing cotton outside of common everyday wear. She traveled frequently and drew inspiration from the countries and cultures she experienced. She frequently incorporated Indian, Turkish, and Japanese motifs in her work.
Clients include:
Claudette Colbert, Elizabeth Taylor, Pat Nixon, Eleanor Rosalynn Carter, Lady Bird Johnson, Barbara Bush
1970s Jill Richards White Knit Grecian Gown with Feather Trim Shawl
$700.00
Channel your inner Marilyn or dance like studio 54 could only have imagined in this fun and flirty knit white dress by Jill Richards. The dress ensemble is composed of a white maxi dress and coordinating white knit shawl. The dress has a sweetheart - like neckline with thin spaghetti straps and grecian - like wrapped pleating around the bust, giving way to an elegant waterfall pleat down the front of the dress. The dress features a slip layer that peeks out from under the hem, adding volume and interest to the bottom of the skirt. The shawl is amazing, with bold white feather trim accented with silver tinsel!
The white - on white disco fabulousness of this fit makes us think of Bianca Jagger's iconic white studio 54 suit!
1990s Christian Dior numbered Body Con Dress w/ Snakeskin Bralette
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1960s Joseph Stein by Muriel Reade Wool Black and Red Arrow Accent Mod Dress
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Striking black and red knit dress by Muriel Reade for Joseph Stein. The dress features a loose A - line silhouette with long sleeves and a tight jewel collar. The narrow waist of the dress is accented by a wide black belt with buckle - like arrow detail and adjacent gold - tone baroque button. The sleeves of the dress, as well as the back of the neck feature the same arrow with button design element. Great attention to detail and fabulous understated design motif repeated throughout. Completely lined in black silk.
Joseph Stein was founded in the early 1920s, and focused on coats and knitwear. In the 1960s, the company sought to reinvent itself, hiring designer Muriel Reade to help refresh their looks and expand their range of garments.
Muriel Reade spent her career working for fashion houses in New York city, making a name for herself as a distinguished suit and coat couturier. Samples of her work can be found in the collection of the Fine Arts Museums of San Francisco.
Clients included: Sharon Rockefeller, Pat Nixon, Mary Anne Harrison Lindsay
1970s Roberta di Camerino Red and Blue Trompe L'oeil Midi Dress
$850.00
Amazing tromple l'oeil poly knit dress by Roberta di Camerino! The dress has a loose silhouette, with long sleeves, and a long pointed wing collar. The piece features an amazing graphic print that tricks one's eyes into thinking that the dress is actually a three piece ensemble! The print includes a black and red plaid faux skirt with pleats, a white blouse accented by gold tone Roberta buttons, and a red jacket with bright blue trim. This playful, elegant dress is deceivingly simple and wonderfully stylish! Made in Italy. Fabric is synthetic. Dress is in fair condition and missing cuff links for the french cuffs.
Giuliana Camerino (née Coen) was born to a Jewish family in Venice. In 1943, as World War II raged on, the Camerinos fled to Switzerland where Giuliana began designing handbags for local leather goods stores. Camerino founded the house “Roberta di Camerino” in 1945. The business was named after the 1935 Fred Astaire and Ginger Rogers film “Roberta”; The song “Smoke Gets In Your Eyes” was the last tune Camerino listened to before escaping to Switzerland.
Roberta di Camerino handbags quickly became known for their innovative use of patterned and colored fabric, two materials that had never been used in handbags. Camerino continued to develop new and interesting designs that would go on to inspire others, including using an “R”-trellis pattern in 1946 that predated Gucci’s iconic “G” pattern handbags and accessories, a the woven leather handbag in 1957 that anticipated the Bottega Veneta woven look, and a hinged handbag that Prada later went on to imitate. Camerino helped develop the post-WW2 venetian economy, employing venetian craftsmen to create many materials, including the brass hardware she used in her striking, cut-velvet bags, and to weave fabric using local antique looms. Camerino branched out into apparel; much of her clothing had distinctive optical illusion tromp l’oeil prints, pleats, buckles, and ruffles.
1970s Roberta di Camerino Red Trompe L'oeil Ensemble Maxi Dress
$875.00
Amazing tromple l'oeil poly knit maxi dress by Roberta di Camerino! The dress has a loose silhouette, with long sleeves, and a long pointed wing collar. The piece features an amazing graphic print that tricks one's eyes into thinking that the dress is actually a three piece ensemble! The print includes a red faux skirt with billowing pleats, a wide purple - blue belt that makes one think of Spanish matadors, a white blouse, and a red jacket with lapel and passementerie designs. This playful, elegant dress is deceivingly simple and wonderfully stylish! Gold tone Roberta buttons ornament the front, and match the cufflinks on the sleeve. Made in Italy.
Giuliana Camerino (née Coen) was born to a Jewish family in Venice. In 1943, as World War II raged on, the Camerinos fled to Switzerland where Giuliana began designing handbags for local leather goods stores. Camerino founded the house “Roberta di Camerino” in 1945. The business was named after the 1935 Fred Astaire and Ginger Rogers film “Roberta”; The song “Smoke Gets In Your Eyes” was the last tune Camerino listened to before escaping to Switzerland.
Roberta di Camerino handbags quickly became known for their innovative use of patterned and colored fabric, two materials that had never been used in handbags. Camerino continued to develop new and interesting designs that would go on to inspire others, including using an “R”-trellis pattern in 1946 that predated Gucci’s iconic “G” pattern handbags and accessories, a the woven leather handbag in 1957 that anticipated the Bottega Veneta woven look, and a hinged handbag that Prada later went on to imitate. Camerino helped develop the post-WW2 venetian economy, employing venetian craftsmen to create many materials, including the brass hardware she used in her striking, cut-velvet bags, and to weave fabric using local antique looms. Camerino branched out into apparel; much of her clothing had distinctive optical illusion tromp l’oeil prints, pleats, buckles, and ruffles.
1970s Roberta di Camerino Red Blue and White Trompe L'oeil Dress
$650.00
Striking! This slinky poly knit Roberta di Camerino dress falls below the knee, has short sleeves, and a round jewel neckline. The top of the dress is brilliant and deep Roberta red, with a navy blue trompe l'oeil illusion "fold" line that dips into the v - shape accent "belt" around the waist, giving the dress the appearance of billowing movement. The skirt of the dress features a geometric diamond, zig-sag, and rectangle pattern. A design exemplary of Roberta di Camerino's playful, elegant style! Made in Italy.
Giuliana Camerino (née Coen) was born to a Jewish family in Venice. In 1943, as World War II raged on, the Camerinos fled to Switzerland where Giuliana began designing handbags for local leather goods stores. Camerino founded the house “Roberta di Camerino” in 1945. The business was named after the 1935 Fred Astaire and Ginger Rogers film “Roberta”; The song “Smoke Gets In Your Eyes” was the last tune Camerino listened to before escaping to Switzerland.
Roberta di Camerino handbags quickly became known for their innovative use of patterned and colored fabric, two materials that had never been used in handbags. Camerino continued to develop new and interesting designs that would go on to inspire others, including using an “R”-trellis pattern in 1946 that predated Gucci’s iconic “G” pattern handbags and accessories, a the woven leather handbag in 1957 that anticipated the Bottega Veneta woven look, and a hinged handbag that Prada later went on to imitate. Camerino helped develop the post-WW2 venetian economy, employing venetian craftsmen to create many materials, including the brass hardware she used in her striking, cut-velvet bags, and to weave fabric using local antique looms. Camerino branched out into apparel; much of her clothing had distinctive optical illusion tromp l’oeil prints, pleats, buckles, and ruffles.
1984 Rare Madame Gres Black Silk Evening Dress w/ Scarf Drape & Original Croquis
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Gorgeous black silk faille evening dress by Madame Gres. The knee length dress is sleek, with a loose body - skimming silhouette, long sleeves, and a high, diamond cut neckline. The sleeves have a dolman - like cut. The dress has a front center seam with two triangular panels of fabric hanging loose. The dress comes with its croquis.
Born in Paris, around the turn of the 20th century, Madame Grès (nee Germaine Émilie Krebs, AKA Alix Barton, Alix) pursued sculpture before turning her interests towards fashion. Grès was initially a hat maker, but her eye for design soon propelled her into haute couture dressmaking. By the 1930s, Grès had made a name for herself and counted a number of famous women in her client list, including: Wallis Simpson - the Duchess of Windsor, Princess Matilda of Greece, Paloma Picasso, Grace Kelly, Marella Agnelli, Marie-Helene de Rothschild, Edith Piaf, Jacqueline Kennedy, Dolores del Río, Barbra Streisand, Marlene Dietrich, and Greta Garbo.
During the German occupation of France in World War II, Madame Grès was ordered to design stark, utilitarian clothing, but defied the occupation government and continued to design sumptuous dresses in the red, white and blue of the French tricolour flag. Bewilderingly, despite being Jewish, German officers were said to have asked Grès to design dresses for their wives. Grès bravely refused. Both her refusal to design for the wives of occupying officers, and her refusal to design drab garments, played a part in the forced closing of her design house; her plenteous use of fabric during wartime was the excuse given.
1960s I. Magnin Apple Green and Pink Floral Empire Waist Evening Dress
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1970s Bill Blass Black Bubble Skirt Cocktail Dress w/ Large Rhinestone Cuffs
$450.00
Beautiful over the knee loose silhouette shift dress with bubble skirt hem gather by Bill Blass! The dress has with a wide jewel collar, with sheer voluminous bishop sleeves and a wide satin cuff. The cuffs are accented with brilliant square oversized rhinestone buttons. The dress has a double layered tunic hem with a layer of black satin peeking out from under the dress. Neck to waist zip for closure. Bill Glass grew up in Depression - era Indiana, where he sought refuge from the bitterness of life in cinemas. Blass looked up to the silver screen and found inspiration in the leading ladies and their fantastical costumes.
Blass studied at Parsons School of Art and Design in New York, funded by his winnings from a Chicago Tribune dress design contest, and later by his commissioned sketches for Seventh Avenue garment houses. Blass’ career and education were interrupted by WWII, where he was assigned to US 603rd Camouflage Battalion, a part of the famous “Ghost Army” Allied collaboration known for their creative deception techniques.
After the war, Blass remained in New York, working under Anne Klein, Anna Miller, and Maurice Rentner. In 1970, Blass purchased and renamed Renter’s firm.
Blass achieved internationally recognition when he joined the American team of designers -consisting of Stephen Burrows, Oscar de la Renta, Halston, and Anne Klein with Donna Karan- that was to face off against the French team of designers -Yves Saint Laurent, Emanuel Ungaro, Marc Bohan for Christian Dior, and Hubert de Givenchy- in the infamous “Battle of Versailles” fashion show.
Blass was well known for his couture take on sportswear. He would make traditional cuts in luxurious fabrics, with incredible craftsmanship and attention to detail. His opulent sportswear was unparalleled, and in pairing a cashmere cardigan with a silk gown, he found new innovative ways to mix it into his formalwear. Blass was also known to be very hands on with his business, lending his pieces for benefits, and touring and making appearances in department stores that were putting out his new lines.
Clients include: Barbra Streisand, Barbara Walters, the Barbaras Bush, Happy Rockefeller, Gloria Vanderbilt, and Brooke Astor.
1980s Andre Laug Red Silk Snakeskin Print Dress
$495.00
1960s Neiman Marcus Vibrant Pink Swirl Dress with Sheer Kimono Detail
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Amazing two layer dress with brilliant pink, green, cream, and blue swirling pattern! This dress features a somewhat fitted silk dress with wide round neckline, wide straps, a slightly contoured waist, and a maxi length skirt. The top layer of the dress is loose and sheer, cut wide with long kimono sleeves. Although the body of the dress is fitted, the sheer layer gives it a kaftan - like freedom of movement, making the dress sway gently when worn. Silk. Neiman Marcus.
1970s Oscar de la Renta Green Plaid Satin & Knit Dress & Jacket Ensemble
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Amazing bright green Oscar de la Renta maxi dress and coordinating jacket! The long dress has a faux turtleneck and sleeveless bodice in a stretch knit fabric with thin ribbing. The cinched waist is accented by a wide belt, and the A-line skirt in bold, large green, blue, red, and white plaid, elongates the silhouette. The dress is complemented with a long sleeve, hip length jacket with a long horizontal collar that is simply the cherry on top of this striking 70s ensemble!
Jacket Measurements
Bust: 34"
Waist: 33"
Length: 23"
1970s Bill Blass Purple and Red Silk Evening Dress W/ Neck Tie/ Bow Detail
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Striking 1970s maxi evening dress by Bill Blass. The dress is maxi length, with ling cuffed bishop sleeves, a cinched waist, and a turtle neckline with amazing ribbon detail. The neck features a two long strands of silk that can be tied in a bow that cascades down the wearer's back. The print of the dress features a purple and red plaid base with bright solid red printed designs swirling on top. Gorgeous and elegant.
Bill Blass grew up in Depression - era Indiana, where he sought refuge from the bitterness of life in cinemas. Blass looked up to the silver screen and found inspiration in the leading ladies and their fantastical costumes.
Blass studied at Parsons School of Art and Design in New York, funded by his winnings from a Chicago Tribune dress design contest, and later by his commissioned sketches for Seventh Avenue garment houses. Glass’ career and education were interrupted by WWII, where he was assigned to US 603rd Camouflage Battalion, a part of the famous “Ghost Army” Allied collaboration known for their creative deception techniques.
After the war, Blass remained in New York, working under Anne Klein, Anna Miller, and Maurice Rentner. In 1970, Blass purchased and renamed Renter’s firm.
Blass achieved internationally recognition when he joined the American team of designers -consisting of Stephen Burrows, Oscar de la Renta, Halston, and Anne Klein with Donna Karan- that was to face off against the French team of designers -Yves Saint Laurent, Emanuel Ungaro, Marc Bohan for Christian Dior, and Hubert de Givenchy- in the infamous “Battle of Versailles” fashion show.
Blass was well known for his couture take on sportswear. He would make traditional cuts in luxurious fabrics, with incredible craftsmanship and attention to detail. His opulent sportswear was unparalleled, and in pairing a cashmere cardigan with a silk gown, he found new innovative ways to mix it into his formalwear. Glass was also known to be very hands on with his business, lending his pieces for benefits, and touring and making appearances in department stores that were putting out his new lines.
Clients include: Barbara Streisand, Barbara Walters, the Barbaras Bush, Happy Rockefeller, Gloria Vanderbilt, and Brooke Astor.
1950s Christian Dior Couture Blue & Black Silk & Velvet New Look Dress, Iconic
Sold Out
1980s Bob Mackie Silk Evening Gown
$1,800.00
2003 Fendi Black Drape Jersey Knit Maxi Dress
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1960s Peach Crepe de Chine and Sequin Dress
$255.00
Ethereal peach dress from the 1960's. Top of the dress is sheer and adorned with rhinestones. Collar of dress is adorned as well. Over layer of Crepe de Chine that creates a curtain in the front of the dress. Back of dress has a bow on top of zipper that closes with a hook and eye closure and snap. Dress is lined. Zipper center back. Double hook and eye closure on neck.
Modern US Size 4
*All garments have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
1990s Richard Tyler Couture Black Silk & Sequin Plunge Back Dress
$800.00
Elegant 1990s black silk evening dress by Richard Tyler. This maxi length dress has a shift silhouette that skims the body, a wide bateau boat neck, and capped sleeves with hand detailed black sequins. The amazing deep plunging back of the dress is supported and accented by a thin cord with hook and eye closure. A knee - length slit up the back seam adds even more drama! Made in the United States.
Richard Tyler was born in Melbourne in 1946. When he was 16 Tyler apprenticed under a Saville Row tailor. Two Years later, in 1954, Tyler opened his own boutique in Melbourne that featured his designs as well as those of his mother who was a dressmaker and costume designer. He too designed for entertainers, cutting his teeth through creating costumes for musicians during the 1970s. In 1984 Tyler moved to Los Angeles where he entrenched himself with the Hollywood set, creating glamorous gowns for celebrities. He was head designer for Anne Klein and BYB LOS in the 1990s, won the Costume Fashion Designers of America Award in 1993, 1994, and 1995, and won the Michaelangelo Award in 1996.
Tyler’s style is sensual yet structured. Many of his designs harken back to the 1940s, with sculptural patterns, bias cut silks, and tailored details.
Clients include: Diana Ross, Cher, and Elton John
2016 Brandon Maxwell V-Neck Cutout-Waist Long Evening Coat
$990.00
Dramatic Brandon Maxwell Fall / Winter 2016 evening coat. The coat is floor length, with a slight train, structured shoulders, long sleeves, a hook closure in the front, and a cutout waist. The columnar silhouette elongates the wearer's body, while the plunging V - neckline adds a bit of flair by breaking up the black. The coat features a crepe top and satin bottom that are connected by functional buttons, allowing the hem to trail further behind if they are undone. Silk blend. Made in the United States.
