Designer Spotlight: Roy Halston Frowick
Halston was thrown into the limelight when Jacqueline Kennedy wore his pillbox hat to John F. Kennedy’s inauguration. Soon Halston expanded into women’s wear, creating both couture and ready-to-wear fashion catering to the fashionable and elite jet set. Halston also accepted the honor of designing the 1976 US Olympic team uniforms, redesigned Braniff Airlines’ uniforms in 1977, and created uniforms for the New York Police Department and the Girl Scouts in 1978.
Halston was innovative, using slinky knit material and ultrasuedes, and introducing a halter dress design that elongated a wearer’s silhouette. Halston pioneered the sensual and soft draped looks associated with disco and his beloved Studio 54.
Clients include: Elizabeth Taylor, Bianca Jagger, Anjelica Houston, Liza Minelli, Pat Cleveland, Diana Vreeland, Marlene Dietrich, and Rita Hayworth.
Also in Adore MRS. Couture
Designer Spotlight: Madame Gres
Madame Grès pursued sculpture before turning her interests towards fashion. She was was initially a hat maker, but her eye for design soon propelled her into haute couture dressmaking. By the 1930s, Gres had made a name for herself, and by the end of her career she counted a number of famous women in her client list, including: Wallis Simpson - the Duchess of Windsor, Princess Matilda of Greece, Paloma Picasso, Grace Kelly, Marella Agnelli, Marie-Helene de Rothschild, Edith Piaf, Jacqueline Kennedy, Dolores del Río, Barbra Streisand, Marlene Dietrich, and Greta Garbo.
Designer Spotlight: Lawrence Vrba
Lawrence Vrba began his career in 1969, working as a counter at Miriam Haskell; his talents did not go unnoticed, and he soon found himself designing jewelry. The Egyptian collection - perhaps his most famous Miriam Haskell collection- was inspired by materials he found while in Europe, and was featured in an edition of Vogue. In 1983 Vrba left Les Bernard to create his own eponymous business.
Designer Spotlight: Vera Neumann
In the 1940s material rationing caused linen to be in short supply; Vera found some parachute silk in a surplus store while looking for alternatives. This event was the catalyst for Vera’s scarf business. The scarves became instantly popular; Vera designs were taken from her paintings; Vera, keeping her signature on the scarves, created the concept of a signature scarf. An entrepreneurial woman, Vera championed branding, her little ladybugs were displayed on her pieces. Vera cross marketed her art, using the same print in garments, table fashion, bedsheets, kitchen accessories, aprons, towels, and more.
