$315.00
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Astounding ruby red rhinestone necklace and earrings set by Lawrence Vrba! The oversized bib necklace is astounding, and features a large horizontal oval pate de verre jewel surrounded by clear multifaceted rhinestones in a variety of sizes. The necklace is composed of various emerald cut red crystal "links" surrounded by clear rhinestones. The links and the center gem are accented by tassels composed of red multifaceted cut beads with shimmering spacer, adding a bit of movement to the piece.
The earrings -with their red emerald cut center, rhinestone border, and tassel drops- coordinate perfectly with the necklace.
Necklace length : 18 inches Weight: 176g Earrings Measurements: Length 2.5 inches Width: .75" Weight: 40g
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Gorgeous bold green choker necklace and earrings set made of famous bohemian glass! The dangling earrings are composed of a bold rectangular glass beads anchored by baroque swirls beset with milgrain details. The necklace has a center focus of three jade glass gems in a symmetrical art deco arrangement. The gems are flanked by hexagonal beads featuring the same flourishes on the earrings. The "chain" of the necklace is fully beaded with spherical and long, barrel shaped beads. Stamped "Czechoslovakia" on reverse.
Earrings 2" x .5"
8 grams
Bohemia was the glass capital of Eastern Europe, craftspeople specialized in creating bright and brilliant works that rivaled the glassblowers of Venice. Designers and artists would source much of their findings and stones from Bohemia, making it a critical site for 19th and 20th century costume jewelry makers.
$900.00
Gorgeous bright yellow necklace and earrings set by Lawrence Vrba! The oversized bib necklace is incredible, and features a brilliant oversized oval cut crystal center bordered by small clear multifaceted rhinestones. The top of the oval features a slightly larger multifaceted rhinestone, and the bottom of the oval has a row of five rhinestone including a center oval rhinestone. The necklace is composed of linked together rhinestone components with an orange emerald cut center. The last two links in the necklace have a clear rhinestone center. Tassels composed of a yellow teardrop bead anchored by an orange spherical swirl bead dangle from each link in the chain, creating an amazing, shimmering fringe.
The earrings -with their orange emerald cut center, rhinestone border, and tassel drops- coordinate perfectly with the necklace.
Wear this amazing set separately to add a bit of flash to any outfit, or wear the necklace and earrings together for the ultimate dose of drama!
Necklace measurements: length: 17.5 inches weight: 174g
Earring measurements: length: 2 inches Width: .75" weight: 30g
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Elegant 1920s Whiting and Davis evening purse! This gorgeous enamel mesh purse features a pressed art deco sunburst clasp painted in alternating black and blue enamel. The mesh body of the purse has a vertical geometric blue, green, and black design, with horizontal scalloped detail and painted fringe that cleverly imitates the shape of older mesh bags from the turn of the century. The purse has a figure eight infinity chain, and sharp scalloped bottom that dangles freely.
4.5" Drop
Whiting & Davis was established as Wade, Davis and Co. in 1876. In 1892 Whiting and Davis created their first mesh handbag, and in 1912, after automating the mesh weaving process, Whiting & Davis expanded considerably, overshadowing their competitors with a wide variety of mesh woven handbags and accessories. Whiting & Davis has been a stalwart presence throughout the 20th century, partnering with couturier Paul Poiret in the 1920s, collaborating with designer Elsa Schiaparelli in the 1930s, and joining the war effort in the 1940s.
Whiting & Davis spearheaded the flashy cocktail jewelry trend of the 1950s, created jewelry for Elizabeth Taylor in her leading role in 1963’s Cleopatra, and were also tremendously popular with the 1970s disco crowd because of the slinky, sensual quality of their mesh. Michael Jackson’s 1983 “Beat It” jacket featured Whiting and Davis mesh on the shoulders; finally, in the 1990s, Whiting & Davis worked alongside numerous designers including Marc Jacobs and Anthony Ferrara.
Whiting and Davis fan’s of note include Mamie Eisenhower, Rebecca Romijn, and Lady Gaga.
Oh also, they make chain mail shark suits - amazing!
$445.00
Elegant 1920s Whiting and Davis evening purse! This gorgeous mesh purse features a pressed art deco geometric triangular clasp featuring accents of bright blue enamel. The mesh body of the purse is unpainted, allowing one to admire the intricacies of the weave. The purse has a figure eight infinity chain and sharp scalloped bottom that dangles freely. Stamped "Whiting & Davis" on the interior.
Whiting & Davis was established as Wade, Davis and Co. in 1876. In 1892 Whiting and Davis created their first mesh handbag, and in 1912, after automating the mesh weaving process, Whiting & Davis expanded considerably, overshadowing their competitors with a wide variety of mesh woven handbags and accessories. Whiting & Davis has been a stalwart presence throughout the 20th century, partnering with couturier Paul Poiret in the 1920s, collaborating with designer Elsa Schiaparelli in the 1930s, and joining the war effort in the 1940s.
Whiting & Davis spearheaded the flashy cocktail jewelry trend of the 1950s, created jewelry for Elizabeth Taylor in her leading role in 1963’s Cleopatra, and were also tremendously popular with the 1970s disco crowd because of the slinky, sensual quality of their mesh. Michael Jackson’s 1983 “Beat It” jacket featured Whiting and Davis mesh on the shoulders; finally, in the 1990s, Whiting & Davis worked alongside numerous designers including Marc Jacobs and Anthony Ferrara.
Whiting and Davis fan’s of note include Mamie Eisenhower, Rebecca Romijn, and Lady Gaga.
5.5" Drop
Oh also, they make chain mail shark suits - amazing!
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This cotton scarf by Gucci is simply divine! Bold, warm oranges and yellow flowers pop against a deep brown background, encircled by a red and white (oh Gucci!) border. The bold color palette paired with the Pop - Art print style of the flowers is astounding, and brings to mind Andy Warhol's brilliant "Flowers" series.
A spectacular scarf that would be suitable hung up on a wall, wrapped around your shoulders, or worn as a dress while you stroll down South Beach.
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Exciting trio of luggage made especially for the Ferrari Enzo by Schedoni. The set includes two identical suit bags with folding hanger and dust covers, as well as a two - compartment hand bag with flap and zipper closure. The pieces are composed of durable two - tone black and red leather, and feature the famous Ferrari prancing horse.
Suit Bag Measurements:
Length - 22' Height - 17"
Width - 7"
Strap Drop - 22"
Small Bag Measurements:
Length -19"
Height -10"
Width - 9'
The Schedoni - Ferrari relatioship began in the 1977 when Mauro Schedoni was asked by his Brother - in - law, Franco Folli, to create a luggage set that would suit his Ferrari. Schedoni and Folli were so pleased with the results, that they showed the luggage to Enzo Ferrari. Ferrari, knowing there was a demand among his clients for luggage that would fit properly in his sports cars, partnered with Schedoni to create luggage exclusively for Ferrari automobiles.
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This massive scarf depicts the famous Arizona Biltmore Hotel - the "Jewel of the Desert" in Phoenix's "Valley of the Sun" - with fabulous mid century flair!
The Arizona Biltmore Hotel opened in 1929, and was a favorite with Hollywood stars and affluent snowbirds looking to retreat and relax. The complex was designed by Prarie School architect Albert Chase McArthur, with Frank Lloyd Wright acting as a consultant. Although somewhat removed from the construction, Wright's work can be seen through out the hotel, including in the "Wright Sprites" in the garden, and in the "Saguaro Stained Glass" art piece in the lobby.
The hotel and its surroundings are at the center of the scarf, framed in a circle. The famous "Catalina Pool," known for being Marylin Monroe's favorite place to sunbathe, as well as being site where Irving Berlin wrote many of his classic songs, including "White Christmas," is visible in the middle right of the scarf. The corners of the scarf feature illustrations advertising the various activities available at the resort, including golf, tennis, shooting sports, and horse riding. The color palette of green, orange, red, white, and beige masterfully carve out space, with each color appearing crisp and bold.
Frequent guests to the Arizona Biltmore include: Sammy Davis Jr, Clark Gable, Carole Lombard, Martha Raye, Ronald and Nancy Reagan, Frank Sinatra, Joey Bishop.
Bonus: The hotel is the birthplace of the "Tequila Sunrise."
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Playful Popeye - themed silk scarf by Moschino! The scarf is primarily robin's egg blue, with light green dots, a narrow border of collaged floral print, and a whimsical collection of illustrations of Olive Oyl! Alternating between standing, strolling, and sometimes skipping, Olive Oyl features thirteen separate times on the scarf, with each figure wearing a different, whimsically printed outfit. Moschino truly delivers with this fun scarf for chic fans!
Although we now know her best from "Popeye The Sailor Man," Olive Oyl first appeared in 1919, and was the main character of E.C. Segar's "Thimble Theatre." It wasn't until 1929 that Popeye, her love interest, was introduced. He was wildly popular, eventually earning his own spinoff franchise in the 1950s. Despite being introduced decades ago, the characters have remained popular in the United States and abroad; Olive Oyl celebrated her 100th birthday in 2019.
$1,075.00
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Classic oval frames with a twist! These black frames by Barry Kieselstein-Cord feature a thin gold tone moon shape surrounding the outer edges of the lenses by which the body of the glasses connects to the temple. The temples feature a closed hand / fist hinge, that brings to mind the Italian Mano Figa, an auspicious of good luck. Dark amber tone lenses complement the gold and black frames for maximum style!
Frame Width: 130.17 mm
Bridge: 12.7 mm
Temple Arm Length: 152.4 mm
Lens Height: 38.1 mm
Lens Width: 47.62 mm
$350.00
Elegant black folio - style top zipper clutch by Roberta di Camerino. The piece is primarily composed of black pebbled leather, with rounded corners, and a zipper at the top. Features the famous Roberta "R" belt logo on a gold, black, and red stripe accent in the lower left of the bag. From the "Ambassador" line. Made in Italy.
Giuliana Camerino (née Coen) was born to a Jewish family in Venice. In 1943, as World War ii raged on, the Camerinos fled to Switzerland where Giuliana began designing handbags for local leather goods stores. Camerino founded the house “Roberta di Camerino” in 1945. The business was named after the 1935 Fred Astaire and Ginger Rogers film “Roberta”; The song “Smoke Gets In Your Eyes” was the last tune Camerino listened to before escaping to Switzerland.
Roberta di Camerino handbags quickly became known for their innovative use of patterned and colored fabric, two materials that had never been used in handbags. Camerino continued to develop new and interesting designs that would go on to inspire others, including using an “R”-trellis pattern in 1946 that predated Gucci’s iconic “G” pattern handbags and accessories, a the woven leather handbag in 1957 that anticipated the Bottega Veneta woven look, and a hinged handbag that Prada later went on to imitate. Camerino helped develop the post-WW2 venetian economy, employing venetian craftsmen to create many materials, including the brass hardware she used in her striking, cut-velvet bags, and to weave fabric using local antique looms. Camerino branched out into apparel; much of her clothing had distinctive optical illusion tromp l’oeil prints, pleats, buckles, and ruffles.
$315.00
Rare 1994 Rage against the Machine wall flag scarf featuring a large graphic of Che Guevara. The scarf is primarily black with white and yellow screenprint graphics. The piece depicts Che Guevara in Alberto Korda's iconic "Guerrillero Heroico" photograph. The photograph was taken on March 5, 1960, in Havana, Cuba. Guevara was attending a memorial service for the victims of the La Coubre French munitions freighter explosion.
The scarf is from the RATM 1994 tour, where they performed their titular debut album (the cover of which depicts the 1963 self - immolation of Vietnamese Buddhist monk Thích Quảng Đức in Saigon, performed in protest of President Ngô Đình Diệm's persecution of Buddhists,) and treated the audience to a preview of their 1996 album "Evil Empire."
41Hx 29.5W
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$355.00
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Astounding vivid blue, green, and orange enamel and acrylic earrings by Hattie Carnegie! This Egyptian Revival set of earrings feature a brilliant orange faux - carnelian scarab accented with a dangling moon - like enamel stripe semicircle. An amazing piece for those who love history and drama!
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
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$300.00
This opulent set of gold tone pearl and rhinestone earrings is indicative of the luxurious jewelry Hattie Carnegie designed in the 1950s and 1960s. The earrings features a wide spray floral design composed of various rhinestone encrusted leaves with vines curling throughout, as well as bud - like pearls and small gold flowers set onto springs. The small golden flowers tremble when worn (hence "entremble"), giving the necklace an added layer of luxury and whimsy!
The necklace has a matching necklace that feature the same rhinestone, pearl, and entremble floral design. The necklace is available for purchase. See last image for details.
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
Sometime in her early 20s, Hattie had taken the last name Carnegie after Andrew Carnegie, the industrialist, philanthropist, and richest man in the United States during her lifetime. She certainly lived up to the name, having worked her way through and out of an impoverished childhood and into a glamorous life doing what she loved, while still grossing millions a year. Carnegie passed away in 1956, having been instrumental in the diffusion of Parisian fashion into American society, having nurtured the finest designing minds of the early and mid 20th century, and having designed all manner of enchanting things, including hats, handbags, gloves, jewelry, furs, lingerie, cosmetics, and even perfume.
$445.00
This opulent gold tone pearl and rhinestone necklace is indicative of the luxurious jewelry Hattie Carnegie designed in the 1950s and 1960s. The necklace features a wide curved floral design composed of various rhinestone encrusted leaves with vines curling throughout, as well as bud - like pearls and small gold flowers set onto springs. The small golden flowers tremble when worn ( hence "entremble" ), giving the necklace an added layer of luxury and whimsy!
The necklace has a matching pair of earrings that feature the same rhinestone, pearl, and entremble floral design. They are available for purchase. See last image for details.
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
Sometime in her early 20s, Hattie had taken the last name Carnegie after Andrew Carnegie, the industrialist, philanthropist, and richest man in the United States during her lifetime. She certainly lived up to the name, having worked her way through and out of an impoverished childhood and into a glamorous life doing what she loved, while still grossing millions a year. Carnegie passed away in 1956, having been instrumental in the diffusion of Parisian fashion into American society, having nurtured the finest designing minds of the early and mid 20th century, and having designed all manner of enchanting things, including hats, handbags, gloves, jewelry, furs, lingerie, cosmetics, and even perfume.
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Rare 1940s Hobe silver and carved Bandora wood figure demi parure. The set includes a floral brooch reminiscent of a boutonnière with a tapered, wrapped base that gives way to a spray of sterling vermeil flowers, and a carved wood figure at the center. The earrings feature carved faces in bezel settings above a five - petal floral base. Marked on reverse.
Brooch is 3 inches and weighs 12 grams.
Earrings are .5 inches and weigh 2 grams each.
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An iconic Rei Kawakubo/Commes des Garcons black and white cotton calico pinafore dress, Spring-Summer, 2014, printed ribbon label, with dramatic black symbol appliquéd and interwoven through the sleeves, attached to the angular side panniers and threading through the front and back ovoid openings.
Homage to Chanel or parody of? We leave that for you decide...
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Iconic 1980s Dior butterfly sunglasses! These glamorous, feminine sunglasses showcase Dior's famous butterfly design. The apple green and gold-tone frames gently wrap around the oversized lenses. The letters "CD," for Christian Dior, sit over the temple hinges. The sunglasses were made in Austria.
Frame Width: 149.22 mm
Bridge: 6.35 mm
Temple Arm Length: 114.3 mm
Lens Height: 57.15 mm
Lens Width: 69.85 mm
*All garments and accessories have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
*Shipping includes signature required and insured full value
$200.00
Vintage Ted Lapidus hat. This sophisticated, sculptural hat consists of bone white leather in undulating folds, forming a re-interpreted beret-like shape. The hat has boning throughout, becoming wider as it becomes taller. Tassel details at the back of the hat add a bit of playful flair.
Circumference: 21,
Diameter: 11 inches
US Size Small
$455.00
Striking! Fun bright red hat by Stephen Jones! This brilliant bucket hat features a high, round crown with a wide, sloping brim giving the piece a cloche - like look. The hat is composed of five stacked layers of felt with playful asymmetric edges, making the piece look somewhat like a rose. All eyes on you!
Stephen Jones is among the leading milliners of the day, bringing hats into the modern era with interesting materials, juxtapositions of form, and unabashed attitude! Clients include: Princess Diana, Boy George, Rhianna, Katy Perry, Mick Jagger Jones has collaborated with: Rei Kawakubo, Vivienne Westwood, Claude Montana, Thom Browne, Dior.
$900.00
$250.00
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Multi colored crystal rhinestones brighten this gold and silver bouquet by Jomaz from the 1950s. Demi parure includes coordinating clip on earrings. Perfect Mother of the Bride gift for an upcoming spring or summer wedding.
Earrings 1.5 x 1.5 inches
Brooch 2.5 x 1.5 inches
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Six strand baroque pearl choker by Miriam Haskell. The top three strands are smaller sized faux baroque pearls with the bottom strands being larger. The closure is antique guilt with botanical details and rhinestone accents. The clasp is a sewn in floral arrangement of baroque seed pearls and has a four inch drop chain of baroque pearls. Marked.
up to 17" length
162 grams
$1,450.00