1970s Whiting & Davis Egyptian Revival Pharaoh Bracelet and Earrings
$355.00
1970s Indian Red and Black Sheer Silk Hand Block Print Dress
$650.00
Ritu Kumar for Judith Ann. Beautiful floral print sheer silk bishop-sleeved dress. Square neckline, flowy midi, with a gathered drop waist. Comes with a coordinating belt. Dress is a wonderful representation of the direction many western design houses took in the 1960s and 1970s, blending traditional Asian design elements including pattern, color, and silhouette with their western designs. Ritu Kumar was integral to introducing mainstream Americans to Indian design.
1970s Delill Bamboo Handle Woven Slouch Tote Bag made in Italy
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Sculptural hand woven bag by Delill! The bag is composed of woven grass carefully treated with resin, giving it a glossy shine and adding to its durability. The grass is woven in a criss-cross pattern, with accent knots and vertical stitching details. The bag features a wide curved bamboo clasp and handle, with brass hardware and a hook closure. The interior of the bag is lined, and has the original tags. Made in Italy
The bamboo handle came to vogue in the late 1940s when Italian craftsmen, limited in resourced due to post-war scarcity and rationing, got inventive! One of the few items available for use was bamboo imported from Japan; craftsmen heated up the bamboo, bending and molding them to form handles, locks, and frames. Bamboo detail bags were (and still are!) fabricated by various Italian artisans and fashion houses including Gucci.
Drop 5.5 Inches
1970s Bohemian Denim String Bikini
$355.00
1970s Blue Palazzo and Fringe Knit Wear Jumpsuit
$400.00
Deep indigo jumpsuit with fabulous shawl top! The jumpsuit features a loose silhouette layered under a shawl. The jumpsuit is sleeveless with a jewel neckline, and has voluminous floor length palazzo pants that sway gently when walking. The most striking feature of the jumpsuit is its diamond shape shawl with added fringe. The shawl reaches up to the collar, and drops down into a subtly alluring scoop back. Wear the shawl down or tossed over your shoulder for a more debonair look!
1970s Zandra Rhodes Hand Painted Black Silk Dress
$800.00
This gorgeous black silk illusion dress features a large hand painted hand stenciled abstract organic mandala-like print in grey and black. The sleeveless dress has a caplet collar with carnival glass bead trim and has elastic on the shoulder. The dress has a full skirt with some light gathering at the waist. A beautiful ethereal dress emblematic of the magical, extravagant aesthetic Zandra Rhodes is known for.
1930s Bias Cut Deep Cobalt Velvet Evening Dress
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1970s Bill Blass Orange Corduroy and Plaid Pleated Skirt Suit
$550.00
Groovy two piece suit from Bill Blass comprising of very 70s staples like heavy corduroy and golden plaid. The A - line skirt has wide box pleats and is composed of a thick gold, light olive green, and red plaid fabric. The orange corduroy blazer has a medium wale, long sleeves, a three - button closure, and a wide notched lapel featuring the same wool plaid fabric that makes up the skirt. This ensemble's color palette and juxtaposition of fabrics will keep you stylish but also warm in the cooler months of the year!
Fits like a 2 Petite
Sleeve Length -22.5"
Skirt Measurements
Waist: 26
Hip: 34
Length: 19
Bill Blass grew up in Depression - era Indiana, where he sought refuge from the bitterness of life in cinemas. Blass looked up to the silver screen and found inspiration in the leading ladies and their fantastical costumes.
Blass studied at Parsons School of Art and Design in New York, funded by his winnings from a Chicago Tribune dress design contest, and later by his commissioned sketches for Seventh Avenue garment houses. Blass’ career and education were interrupted by WWII, where he was assigned to US 603rd Camouflage Battalion, a part of the famous “Ghost Army” Allied collaboration known for their creative deception techniques.
After the war, Blass remained in New York, working under Anne Klein, Anna Miller, and Maurice Rentner. In 1970, Blass purchased and renamed Renter’s firm.
Blass achieved internationally recognition when he joined the American team of designers -consisting of Stephen Burrows, Oscar de la Renta, Halston, and Anne Klein with Donna Karan- that was to face off against the French team of designers -Yves Saint Laurent, Emanuel Ungaro, Marc Bohan for Christian Dior, and Hubert de Givenchy- in the infamous “Battle of Versailles” fashion show.
Blass was well known for his couture take on sportswear. He would make traditional cuts in luxurious fabrics, with incredible craftsmanship and attention to detail. His opulent sportswear was unparalleled, and in pairing a cashmere cardigan with a silk gown, he found new innovative ways to mix it into his formalwear. Glass was also known to be very hands on with his business, lending his pieces for benefits, and touring and making appearances in department stores that were putting out his new lines.
Clients include: Barbra Streisand, Barbara Walters, the Barbaras Bush, Happy Rockefeller, Gloria Vanderbilt, and Brooke Astor.
1970s Espresso Brown Mink Shawl Collar Coat
$885.00
Beautiful soft and supple mink coat. The coat hits below the knee, has long sleeves, a loose silhouette, and a wide, long shawl collar. The coat is composed of long, vertical stripes of mink, giving its hem a soft scalloped appearance. The coat comes with a belt, allowing the wearer to change the silhouette of the coat.
*Coat is lined and features an embroidered name - can be brought to furrier for removal.
1970s Janus of Norway Red Knit Virgin Wool Skirt and Shrug
$575.00
Wonderful deep maroon red skirt and shrug set by Janus of Norway. This two piece ensemble is made out of plush, warm virgin wool featuring a mostly red color scheme with dashes of black and orange in the form of a traditional Norwegian knitting pattern near the hem. The long maxi length skirt sits at the natural waist, and skims the curves of the body. The shawl is thick and wide, and can be worn a number of ways, including around the head and neck as a scarf, or around the shoulders as a sort of slinky shawl top. Wonderful!
Janus of Norway has been creating fine wool garments and accessories since 1895.
Top Measurements: Bust: 43" Length:9.5"
1970s Victor Costa Funky Blue Floral Knit Maxi Dress
$445.00
1970s Giorgio di Sant' Angelo Biplane Intarsia Knit Maxi Dress - Iconic
$2,800.00
So fun! We love this unusual maxi length intarsia knit sweater by Giorgio di Sant’Angelo! The sweater dress has long sleeves and a jewel collar, and features an amazing aeronautic intarsia knit design of various aircrafts whirling about in the sky, including a biplane with “37007HR” on its wing. The planes are knit in a bright orange color, echoing the wide orange collar and sleeve cuffs. Stripes of green are present on the lower and upper arms, as well as on the bottom of the skirt, giving the piece a vibrant “racing stripe” edge.
A dress identical to this one has been exhibited at the Phoenix Art Museum as part of their Giorgio di Sant’ Angelo retrospective that took place in fall 2011 / winter 2012.
The sweater was was also mentioned in a 1973 Time Magazine article titled “Fashion is an Honest Sweater.”
"There are many reasons for the new sweater enthusiasm. Selections in both color and style are wider than ever… Many sweaters now sport knitted-in portraits of people or animals. Betsey Johnson's "ecology" line features trees and fish; Giorgio di Sant'Angelo portrays a plane taking off. Stan Herman's trompe l'oeil sweater dresses have fake belts and scarves knitted into the material. Others contrast jazzy colors, stripes and polka dots in dazzling juxtaposition. "Sweaters are completely different now," says Sant'Angelo. "We have these fabulous synthetic yarns and colors." Says Herman: "Sweaters are the only way to dress.""
1970s Adele Simpson Black Velvet Gold Metallic Obi Evening Dress
$425.00
Elegant evening dress in sumptuous velvet with brilliant metallic details by Adele Simpson. The dress falls just above the knee, has a wide bateau boat neck, and 3/4 length sleeves. The sleeves are voluminous and gather at the elbow. The dress features a gold metallic panel at the waist - no doubt inspired by the obi kimono belts Simpson saw on her travels to Japan! The panel is accented by a twisted braid belt with leaf clasp. Neck to waist zipper in back for closure.
Adele Simpson was born to Latvian parents, and in her childhood she performed in vaudeville productions; at one point she danced with Milton Berle!
Simpson began her career working in 7th Avenue fashion houses Ben Gershel and Mary Lee. In 1949 Simpson bought Mary Lee and Renamed it “Adele Simpson Inc.” Her company was situated in New York’s famous Garment District, and produced ready-to-wear garments inspired by French Couture. Her pieces were available in department stores across the United States, including Saks Fifth Avenue and Bonwit Teller.
Simpson stretched the limits of textiles, and had a hand in popularizing cotton outside of common everyday wear. She traveled frequently and drew inspiration from the countries and cultures she experienced. She frequently incorporated Indian, Turkish, and Japanese motifs in her work.
Clients include:
Claudette Colbert, Elizabeth Taylor, Pat Nixon, Eleanor Rosalynn Carter, Lady Bird Johnson, Barbara Bush
1970s Whiting & Davis Egyptian Revival Isis Cameo Necklace and Bracelet
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1970s Jill Richards White Knit Grecian Gown with Feather Trim Shawl
$700.00
Channel your inner Marilyn or dance like studio 54 could only have imagined in this fun and flirty knit white dress by Jill Richards. The dress ensemble is composed of a white maxi dress and coordinating white knit shawl. The dress has a sweetheart - like neckline with thin spaghetti straps and grecian - like wrapped pleating around the bust, giving way to an elegant waterfall pleat down the front of the dress. The dress features a slip layer that peeks out from under the hem, adding volume and interest to the bottom of the skirt. The shawl is amazing, with bold white feather trim accented with silver tinsel!
The white - on white disco fabulousness of this fit makes us think of Bianca Jagger's iconic white studio 54 suit!
1990s Christian Dior numbered Body Con Dress w/ Snakeskin Bralette
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1980s Valentino Black Italian Lace Crop Cardigan
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Beautiful and delicate black diamond floral sheer lace Valentino crop cardigan. Snap and bow at the neck closure.
1960s Joseph Stein by Muriel Reade Wool Black and Red Arrow Accent Mod Dress
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Striking black and red knit dress by Muriel Reade for Joseph Stein. The dress features a loose A - line silhouette with long sleeves and a tight jewel collar. The narrow waist of the dress is accented by a wide black belt with buckle - like arrow detail and adjacent gold - tone baroque button. The sleeves of the dress, as well as the back of the neck feature the same arrow with button design element. Great attention to detail and fabulous understated design motif repeated throughout. Completely lined in black silk.
Joseph Stein was founded in the early 1920s, and focused on coats and knitwear. In the 1960s, the company sought to reinvent itself, hiring designer Muriel Reade to help refresh their looks and expand their range of garments.
Muriel Reade spent her career working for fashion houses in New York city, making a name for herself as a distinguished suit and coat couturier. Samples of her work can be found in the collection of the Fine Arts Museums of San Francisco.
Clients included: Sharon Rockefeller, Pat Nixon, Mary Anne Harrison Lindsay
1960s Hattie Carnegie Egyptian Revival Enamel Scarab Door Knocker Earrings
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Astounding vivid blue, green, and orange enamel and acrylic earrings by Hattie Carnegie! This Egyptian Revival set of earrings feature a brilliant orange faux - carnelian scarab accented with a dangling moon - like enamel stripe semicircle. An amazing piece for those who love history and drama!
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
1970s Roberta di Camerino Red and Blue Trompe L'oeil Midi Dress
$850.00
Amazing tromple l'oeil poly knit dress by Roberta di Camerino! The dress has a loose silhouette, with long sleeves, and a long pointed wing collar. The piece features an amazing graphic print that tricks one's eyes into thinking that the dress is actually a three piece ensemble! The print includes a black and red plaid faux skirt with pleats, a white blouse accented by gold tone Roberta buttons, and a red jacket with bright blue trim. This playful, elegant dress is deceivingly simple and wonderfully stylish! Made in Italy. Fabric is synthetic. Dress is in fair condition and missing cuff links for the french cuffs.
Giuliana Camerino (née Coen) was born to a Jewish family in Venice. In 1943, as World War II raged on, the Camerinos fled to Switzerland where Giuliana began designing handbags for local leather goods stores. Camerino founded the house “Roberta di Camerino” in 1945. The business was named after the 1935 Fred Astaire and Ginger Rogers film “Roberta”; The song “Smoke Gets In Your Eyes” was the last tune Camerino listened to before escaping to Switzerland.
Roberta di Camerino handbags quickly became known for their innovative use of patterned and colored fabric, two materials that had never been used in handbags. Camerino continued to develop new and interesting designs that would go on to inspire others, including using an “R”-trellis pattern in 1946 that predated Gucci’s iconic “G” pattern handbags and accessories, a the woven leather handbag in 1957 that anticipated the Bottega Veneta woven look, and a hinged handbag that Prada later went on to imitate. Camerino helped develop the post-WW2 venetian economy, employing venetian craftsmen to create many materials, including the brass hardware she used in her striking, cut-velvet bags, and to weave fabric using local antique looms. Camerino branched out into apparel; much of her clothing had distinctive optical illusion tromp l’oeil prints, pleats, buckles, and ruffles.
1970s Roberta di Camerino Red Trompe L'oeil Ensemble Maxi Dress
$875.00
Amazing tromple l'oeil poly knit maxi dress by Roberta di Camerino! The dress has a loose silhouette, with long sleeves, and a long pointed wing collar. The piece features an amazing graphic print that tricks one's eyes into thinking that the dress is actually a three piece ensemble! The print includes a red faux skirt with billowing pleats, a wide purple - blue belt that makes one think of Spanish matadors, a white blouse, and a red jacket with lapel and passementerie designs. This playful, elegant dress is deceivingly simple and wonderfully stylish! Gold tone Roberta buttons ornament the front, and match the cufflinks on the sleeve. Made in Italy.
Giuliana Camerino (née Coen) was born to a Jewish family in Venice. In 1943, as World War II raged on, the Camerinos fled to Switzerland where Giuliana began designing handbags for local leather goods stores. Camerino founded the house “Roberta di Camerino” in 1945. The business was named after the 1935 Fred Astaire and Ginger Rogers film “Roberta”; The song “Smoke Gets In Your Eyes” was the last tune Camerino listened to before escaping to Switzerland.
Roberta di Camerino handbags quickly became known for their innovative use of patterned and colored fabric, two materials that had never been used in handbags. Camerino continued to develop new and interesting designs that would go on to inspire others, including using an “R”-trellis pattern in 1946 that predated Gucci’s iconic “G” pattern handbags and accessories, a the woven leather handbag in 1957 that anticipated the Bottega Veneta woven look, and a hinged handbag that Prada later went on to imitate. Camerino helped develop the post-WW2 venetian economy, employing venetian craftsmen to create many materials, including the brass hardware she used in her striking, cut-velvet bags, and to weave fabric using local antique looms. Camerino branched out into apparel; much of her clothing had distinctive optical illusion tromp l’oeil prints, pleats, buckles, and ruffles.
1970s Roberta di Camerino Red Blue and White Trompe L'oeil Dress
$650.00
Striking! This slinky poly knit Roberta di Camerino dress falls below the knee, has short sleeves, and a round jewel neckline. The top of the dress is brilliant and deep Roberta red, with a navy blue trompe l'oeil illusion "fold" line that dips into the v - shape accent "belt" around the waist, giving the dress the appearance of billowing movement. The skirt of the dress features a geometric diamond, zig-sag, and rectangle pattern. A design exemplary of Roberta di Camerino's playful, elegant style! Made in Italy.
Giuliana Camerino (née Coen) was born to a Jewish family in Venice. In 1943, as World War II raged on, the Camerinos fled to Switzerland where Giuliana began designing handbags for local leather goods stores. Camerino founded the house “Roberta di Camerino” in 1945. The business was named after the 1935 Fred Astaire and Ginger Rogers film “Roberta”; The song “Smoke Gets In Your Eyes” was the last tune Camerino listened to before escaping to Switzerland.
Roberta di Camerino handbags quickly became known for their innovative use of patterned and colored fabric, two materials that had never been used in handbags. Camerino continued to develop new and interesting designs that would go on to inspire others, including using an “R”-trellis pattern in 1946 that predated Gucci’s iconic “G” pattern handbags and accessories, a the woven leather handbag in 1957 that anticipated the Bottega Veneta woven look, and a hinged handbag that Prada later went on to imitate. Camerino helped develop the post-WW2 venetian economy, employing venetian craftsmen to create many materials, including the brass hardware she used in her striking, cut-velvet bags, and to weave fabric using local antique looms. Camerino branched out into apparel; much of her clothing had distinctive optical illusion tromp l’oeil prints, pleats, buckles, and ruffles.
1950s Miriam Haskell Red Rhinestone Sunburst Floral Earrings
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1984 Rare Madame Gres Black Silk Evening Dress w/ Scarf Drape & Original Croquis
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Gorgeous black silk faille evening dress by Madame Gres. The knee length dress is sleek, with a loose body - skimming silhouette, long sleeves, and a high, diamond cut neckline. The sleeves have a dolman - like cut. The dress has a front center seam with two triangular panels of fabric hanging loose. The dress comes with its croquis.
Born in Paris, around the turn of the 20th century, Madame Grès (nee Germaine Émilie Krebs, AKA Alix Barton, Alix) pursued sculpture before turning her interests towards fashion. Grès was initially a hat maker, but her eye for design soon propelled her into haute couture dressmaking. By the 1930s, Grès had made a name for herself and counted a number of famous women in her client list, including: Wallis Simpson - the Duchess of Windsor, Princess Matilda of Greece, Paloma Picasso, Grace Kelly, Marella Agnelli, Marie-Helene de Rothschild, Edith Piaf, Jacqueline Kennedy, Dolores del Río, Barbra Streisand, Marlene Dietrich, and Greta Garbo.
During the German occupation of France in World War II, Madame Grès was ordered to design stark, utilitarian clothing, but defied the occupation government and continued to design sumptuous dresses in the red, white and blue of the French tricolour flag. Bewilderingly, despite being Jewish, German officers were said to have asked Grès to design dresses for their wives. Grès bravely refused. Both her refusal to design for the wives of occupying officers, and her refusal to design drab garments, played a part in the forced closing of her design house; her plenteous use of fabric during wartime was the excuse given.
1970s Maison Gripoix for Jean Patou Poppy Red Earrings
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1990s Bill Blass Navy Blue Shift Dress with Curved Neckline Detail
$445.00
Classic shift dress by Bill Blass! This dress falls just above the knee, has short sleeves, and a jewel neckline. The clean lines of this simple silhouette are complemented by a subtle, curved collar with symmetric curls that point outwards. With its outward points and unusual curves, the collar is a curious subversion of the Peter Pan collar!
1960s I. Magnin Apple Green and Pink Floral Empire Waist Evening Dress
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1960s Hattie Carnegie Floral Gold Tone Rhinestone Entremble Earrings
$300.00
This opulent set of gold tone pearl and rhinestone earrings is indicative of the luxurious jewelry Hattie Carnegie designed in the 1950s and 1960s. The earrings features a wide spray floral design composed of various rhinestone encrusted leaves with vines curling throughout, as well as bud - like pearls and small gold flowers set onto springs. The small golden flowers tremble when worn (hence "entremble"), giving the necklace an added layer of luxury and whimsy!
The necklace has a matching necklace that feature the same rhinestone, pearl, and entremble floral design. The necklace is available for purchase. See last image for details.
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
Sometime in her early 20s, Hattie had taken the last name Carnegie after Andrew Carnegie, the industrialist, philanthropist, and richest man in the United States during her lifetime. She certainly lived up to the name, having worked her way through and out of an impoverished childhood and into a glamorous life doing what she loved, while still grossing millions a year. Carnegie passed away in 1956, having been instrumental in the diffusion of Parisian fashion into American society, having nurtured the finest designing minds of the early and mid 20th century, and having designed all manner of enchanting things, including hats, handbags, gloves, jewelry, furs, lingerie, cosmetics, and even perfume.
1960s Hattie Carnegie Floral Gold Tone Rhinestone Entremble Necklace
$445.00
This opulent gold tone pearl and rhinestone necklace is indicative of the luxurious jewelry Hattie Carnegie designed in the 1950s and 1960s. The necklace features a wide curved floral design composed of various rhinestone encrusted leaves with vines curling throughout, as well as bud - like pearls and small gold flowers set onto springs. The small golden flowers tremble when worn ( hence "entremble" ), giving the necklace an added layer of luxury and whimsy!
The necklace has a matching pair of earrings that feature the same rhinestone, pearl, and entremble floral design. They are available for purchase. See last image for details.
Hattie Carnegie was born Henrietta Kanengeiser in Vienna, Austria-Hungary. She was the second of seven children, and lived in poverty in her youth. The family immigrated to the United States when she was still a child, and settled in Manhattan. After her father’s death in 1902, Hattie took a job as a messenger at Macy’s to help support her family, and in 1904 she modeled and trimmed hats at a millinery.
In 1909 Hattie branched out, launching a hat making business with dressmaker Rose Roth, but by 1919 Roth had left the business, leaving Carnegie as the owner of “Hattie Carnegie, Inc,” a company that had a working capital of $100,000. Carnegie began traveling to Paris to buy original dresses to both sell in her shop, and use as inspiration for her own garment and accessory designs. Carnegie was instrumental in bringing Paris fashion to the United States; she imported Lanvin, Molyneux, Patou, Schiaparelli, Vionnet, and others, lavishing New York with gorgeous garments and groundbreaking designers that would have not crossed the pond otherwise. Carnegie also discovered and nurtured the talents of many prominent American designers, including Norman Norell, Pauline Trigère, and James Galanos. In 1925, Carnegie bought a building off of Park Avenue to house her $3.5-million-a-year business, and stayed there producing pieces throughout the Great Depression.
During World War II French haute couture came to a standstill. Carnegie rose to prominence on the international stage as an authority on fashion, and her works were seen in the theatre, cinema and on magazine covers. Although still glamorous, her designs became more austere when the United States joined the Allied Powers. As a part of the war effort, Carnegie designed a dress for Life Magazine. The dress patterns were published in the magazine alongside detailed instructions; it was said that although the dress could have been made for as little as $5, the original dress was valued at $175. After the war, Carnegie continued her business, the epitome of perseverance.
Sometime in her early 20s, Hattie had taken the last name Carnegie after Andrew Carnegie, the industrialist, philanthropist, and richest man in the United States during her lifetime. She certainly lived up to the name, having worked her way through and out of an impoverished childhood and into a glamorous life doing what she loved, while still grossing millions a year. Carnegie passed away in 1956, having been instrumental in the diffusion of Parisian fashion into American society, having nurtured the finest designing minds of the early and mid 20th century, and having designed all manner of enchanting things, including hats, handbags, gloves, jewelry, furs, lingerie, cosmetics, and even perfume.
1980s Oscar de la Renta Black Velvet Evening Jacket
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2001 NWT Chanel Purple and Brown Mark Lucky Clover Pleated Skirt
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Gorgeous silk skirt by Chanel! This skirt sits at the natural waist and falls at the knee. Skirt skims the hips then blossoms into knife pleats. The "Mark Clover" print features the recurring patterns of four clovers in a round formation with the famous linked "CC" at the center. Mother of pearl button closure reads "Chanel Paris."
1980s Nina Ricci Green Floral Silk Dress
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1970s Bill Blass Black Bubble Skirt Cocktail Dress w/ Large Rhinestone Cuffs
$450.00
Beautiful over the knee loose silhouette shift dress with bubble skirt hem gather by Bill Blass! The dress has with a wide jewel collar, with sheer voluminous bishop sleeves and a wide satin cuff. The cuffs are accented with brilliant square oversized rhinestone buttons. The dress has a double layered tunic hem with a layer of black satin peeking out from under the dress. Neck to waist zip for closure. Bill Glass grew up in Depression - era Indiana, where he sought refuge from the bitterness of life in cinemas. Blass looked up to the silver screen and found inspiration in the leading ladies and their fantastical costumes.
Blass studied at Parsons School of Art and Design in New York, funded by his winnings from a Chicago Tribune dress design contest, and later by his commissioned sketches for Seventh Avenue garment houses. Blass’ career and education were interrupted by WWII, where he was assigned to US 603rd Camouflage Battalion, a part of the famous “Ghost Army” Allied collaboration known for their creative deception techniques.
After the war, Blass remained in New York, working under Anne Klein, Anna Miller, and Maurice Rentner. In 1970, Blass purchased and renamed Renter’s firm.
Blass achieved internationally recognition when he joined the American team of designers -consisting of Stephen Burrows, Oscar de la Renta, Halston, and Anne Klein with Donna Karan- that was to face off against the French team of designers -Yves Saint Laurent, Emanuel Ungaro, Marc Bohan for Christian Dior, and Hubert de Givenchy- in the infamous “Battle of Versailles” fashion show.
Blass was well known for his couture take on sportswear. He would make traditional cuts in luxurious fabrics, with incredible craftsmanship and attention to detail. His opulent sportswear was unparalleled, and in pairing a cashmere cardigan with a silk gown, he found new innovative ways to mix it into his formalwear. Blass was also known to be very hands on with his business, lending his pieces for benefits, and touring and making appearances in department stores that were putting out his new lines.
Clients include: Barbra Streisand, Barbara Walters, the Barbaras Bush, Happy Rockefeller, Gloria Vanderbilt, and Brooke Astor.
1980s Andre Laug Red Silk Snakeskin Print Dress
$495.00
1960s Stanley Hagler Pink and Green Poured Glass Floral Dangle Brooch
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Bright and cheery floral brooch by Stanley Hagler! This intricate floral brooch is composed of a bright green glass bead base supporting a frosted purple orchid upon which lay two more green and gold beaded flowers. The body of the brooch is complemented with a playful dangling poured glass drop. Filigree back. Signed.
1960s Rodrigues Poppy Red Wool Mod Coat
$355.00
Fabulous bright poppy red mod shift coat by Rodrigues. The coat hits mid thigh, has long sleeves, as well as a faux turtleneck collar. The coat is single breasted, with a row of five large, glossy red buttons. The coat can be worn with a waist-cinching belt, or left loose for a playful Twiggy-like silhouette. Brilliant poppy red adds a POP of color to your winter wardrobe.
1960s Neiman Marcus Vibrant Pink Swirl Dress with Sheer Kimono Detail
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Amazing two layer dress with brilliant pink, green, cream, and blue swirling pattern! This dress features a somewhat fitted silk dress with wide round neckline, wide straps, a slightly contoured waist, and a maxi length skirt. The top layer of the dress is loose and sheer, cut wide with long kimono sleeves. Although the body of the dress is fitted, the sheer layer gives it a kaftan - like freedom of movement, making the dress sway gently when worn. Silk. Neiman Marcus.
1940s Hobe Sterling Vermeil Carved Wood Chinese Figural Demi Parure
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Rare 1940s Hobe silver and carved Bandora wood figure demi parure. The set includes a floral brooch reminiscent of a boutonnière with a tapered, wrapped base that gives way to a spray of sterling vermeil flowers, and a carved wood figure at the center. The earrings feature carved faces in bezel settings above a five - petal floral base. Marked on reverse.
Brooch is 3 inches and weighs 12 grams.
Earrings are .5 inches and weigh 2 grams each.
1970s Oscar de la Renta Green Plaid Satin & Knit Dress & Jacket Ensemble
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Amazing bright green Oscar de la Renta maxi dress and coordinating jacket! The long dress has a faux turtleneck and sleeveless bodice in a stretch knit fabric with thin ribbing. The cinched waist is accented by a wide belt, and the A-line skirt in bold, large green, blue, red, and white plaid, elongates the silhouette. The dress is complemented with a long sleeve, hip length jacket with a long horizontal collar that is simply the cherry on top of this striking 70s ensemble!
Jacket Measurements
Bust: 34"
Waist: 33"
Length: 23"
1970s Bill Blass Purple and Red Silk Evening Dress W/ Neck Tie/ Bow Detail
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Striking 1970s maxi evening dress by Bill Blass. The dress is maxi length, with ling cuffed bishop sleeves, a cinched waist, and a turtle neckline with amazing ribbon detail. The neck features a two long strands of silk that can be tied in a bow that cascades down the wearer's back. The print of the dress features a purple and red plaid base with bright solid red printed designs swirling on top. Gorgeous and elegant.
Bill Blass grew up in Depression - era Indiana, where he sought refuge from the bitterness of life in cinemas. Blass looked up to the silver screen and found inspiration in the leading ladies and their fantastical costumes.
Blass studied at Parsons School of Art and Design in New York, funded by his winnings from a Chicago Tribune dress design contest, and later by his commissioned sketches for Seventh Avenue garment houses. Glass’ career and education were interrupted by WWII, where he was assigned to US 603rd Camouflage Battalion, a part of the famous “Ghost Army” Allied collaboration known for their creative deception techniques.
After the war, Blass remained in New York, working under Anne Klein, Anna Miller, and Maurice Rentner. In 1970, Blass purchased and renamed Renter’s firm.
Blass achieved internationally recognition when he joined the American team of designers -consisting of Stephen Burrows, Oscar de la Renta, Halston, and Anne Klein with Donna Karan- that was to face off against the French team of designers -Yves Saint Laurent, Emanuel Ungaro, Marc Bohan for Christian Dior, and Hubert de Givenchy- in the infamous “Battle of Versailles” fashion show.
Blass was well known for his couture take on sportswear. He would make traditional cuts in luxurious fabrics, with incredible craftsmanship and attention to detail. His opulent sportswear was unparalleled, and in pairing a cashmere cardigan with a silk gown, he found new innovative ways to mix it into his formalwear. Glass was also known to be very hands on with his business, lending his pieces for benefits, and touring and making appearances in department stores that were putting out his new lines.
Clients include: Barbara Streisand, Barbara Walters, the Barbaras Bush, Happy Rockefeller, Gloria Vanderbilt, and Brooke Astor.
1950s Christian Dior Couture Blue & Black Silk & Velvet New Look Dress, Iconic
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2014 Comme des Garçons Black and White Flat Pack Runway Dress
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An iconic Rei Kawakubo/Commes des Garcons black and white cotton calico pinafore dress, Spring-Summer, 2014, printed ribbon label, with dramatic black symbol appliquéd and interwoven through the sleeves, attached to the angular side panniers and threading through the front and back ovoid openings.
Homage to Chanel or parody of? We leave that for you decide...
2000s Comme des Garçons Black Knit Trench Coat with Rooster Feather Detail
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1980s Bob Mackie Silk Evening Gown
$1,800.00
1990s Maison Martin Margiela Blue Pin Stripe Italian Wool Blazer
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2003 Fendi Black Drape Jersey Knit Maxi Dress
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1960s Peach Crepe de Chine and Sequin Dress
$255.00
Ethereal peach dress from the 1960's. Top of the dress is sheer and adorned with rhinestones. Collar of dress is adorned as well. Over layer of Crepe de Chine that creates a curtain in the front of the dress. Back of dress has a bow on top of zipper that closes with a hook and eye closure and snap. Dress is lined. Zipper center back. Double hook and eye closure on neck.
Modern US Size 4
*All garments have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
1980s Christian Dior Signature Apple Green Butterfly Sunglasses Model 2056
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Iconic 1980s Dior butterfly sunglasses! These glamorous, feminine sunglasses showcase Dior's famous butterfly design. The apple green and gold-tone frames gently wrap around the oversized lenses. The letters "CD," for Christian Dior, sit over the temple hinges. The sunglasses were made in Austria.
Frame Width: 149.22 mm
Bridge: 6.35 mm
Temple Arm Length: 114.3 mm
Lens Height: 57.15 mm
Lens Width: 69.85 mm
*All garments and accessories have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
*Shipping includes signature required and insured full value
