1990s Custom Winter White Mohair Dress
$375.00
Description
Gorgeous Winter White Mohair dress is simple luxury! An added bonus that it is warm and cozy as well! Fitted bodice to hip-line flaring into an A-line skirt, making the silhouette a fit and flare. A blank pallet to style any way you wish! Zips at back.
Modern U.S. Size 4 Hem can be lengthened 1 inch
*All MRS Couture garments have been professionally cleaned and thoroughly checked before shipping, so that they are ready to wear upon arrival.
-
Country of OriginUSA
-
Item #LU10321152352
-
ConditionGood
-
WearWear consistent with age and use
-
Materials & TechniquesLamb, Zip, Mohair
-
SizeCurrent U.S. Size
4Bust
34.5 in. (88 cm)Waist
26 in. (66 cm) -
Size Chart
Related Items
Early 1980s Halston IV Black Jersey Knit Dolman Sleeved Kaftan
Sold Out
Simple, elegant, and small splash of detail: all the components within a classic Halston piece.
This Kaftan's cut features a deep v neck with a seam the comes down to a slit that allows for breathability and mobility for the wearer. The dolman styled sleeves twist towards the wrist for a bit of a sculptural aesthetic. The hem falls down to the ankle for a relaxed, convenient length. Overall this dress is a staple of Halston's design, never fading from fashion and always perfect for evening dates.
Roy Halston Frowick was born on 1932 in Des Moines, Iowa. He initially took inspiration to sew from his grandmother. He would create hats for his mother and alter clothing for his sisters. His foundation in fashion progressed in his teen years as he attended Indiana University for a short spell and then The Art Institute of Chicago while earning funds through creating windows displays. Hat making would be his first love and in 1957 opened his first shop. While he had a small but important following, it wasn’t until Jacqueline Kennedy wore her famous (Halston) Pillbox hat in ‘61 that he became an instant success. He rode the wave of fame and fortune for a while but once hats started to go out of fashion, so did Halston’s sales. Halston’s low point would prove to be a test for what was next in his life. After much experimentation, a failed collection, and the help of his well curated team, he developed the minimalist yet irresistible look we all know and love! He was a true creator of culture during his time. Halston’s work was revered within the studio 54 crowd, worn by all the “It Girls” and on the cover of popular magazines.
Lanvin Mod Meets Art Nouveau Lily Pad Floral Dress, 1970s
$620.00
This 1970s mod (with a nod to art nouveau revival) dress by Lanvin is absolutely gorgeous! The dress features long, full cuffed sleeves, an exaggerated pointed wing collar, and includes a wide sash belt. The shirtwaist dress buttons from hem to collar. The amazing floral print begins as a woven geometric design that blooms upwards into flowers. The print's vibrant azure blue, apple green, and bold Hollywood pink lie vividly against a white background. Fantastic!
Designed by Jules Fancois Crahay
Modern US Size: 8
Dress - Bust: 39, Waist: 38, Hip: 39 1/2, Shoulder Hem Length: 57 3/4, Wrist: 9 1/2 inches
Belt - Length: 63, Width: 4 inches
*All garments and accessories have been professionally cleaned and thoroughly checked before shipping. They are ready to wear upon arrival.
*Shipping includes signature required and insured full value
Rare 1970 Geoffrey Beene Mushroom Print Babydoll Set
Sold Out
zGeoffrey Beene Cotton Mushroom Foraging Ensemble... one of his first pieces in his first diffusion line he started in 1970.
Unbearably cute ensemble features color blocked mini dress with a playful mushroom print allover and one large pocket ( to go foraging for mushrooms).
The pants have a slightly wide fit with a cinched waist. This whole outfit is so perfect for a summer picnic or a nice breezy walk in the woods!
Mini Dress: Bust 34"--Waist 32"
Pants: Waist 29"--Hips 42"--Inseam 29.5"
Geoffrey Beene began his career in the 1950s, designing under numerous New York houses including Teal Traina, finally opening his own label in 1963. Beene was incredibly conscious of the human body, and was particularly regardful of the figure in motion - as Beene once said“clothing is nothing until it hits the body." His designs were created to work with the client’s body, encasing it lightly and giving it a more artful structure. Beene's reinterpretations of dress formality, use of synthetics, and unusual combination of materials (accessories in acrylic and diamonds, for example), set him aside from his contemporaries who focused on the business of fashion, rather than the artistry of fashion.
