This same ensemble is found in a number of museum collections including the FIDM archive (of which a photograph is included). Striking 1960s Rudy Gernreich for Harmon Knitwear dress and sweater set. The playful ensemble consists of a solid black long sleeve pullover sweater with princess seams, accent belt, solid white round flat collar, and short red bow. The dress underneath the sweater is short sleeved, with a jewel collar, and a bell - like silhouette with a skirt flaring from the bust. The bold colors play off of each other, and in unison create an eye-popping ensemble that works as a perfect example of the avante garde, innovate, adventurous designs Rudi Gernreich was known for!
Born in Vienna, Austria, Rudolf “Rudi” Gernreich developed his love for high fashion from his aunt, Hedwig Müller, who owned a dress shop. At the age of eight, after his father -a stocking manufacturer who had served in World War I- committed suicide, Gernreich began spending more time at his aunt’s shop, learning about fabrics, the dress trade, and sketching her designs for the Viennese elite. After having seen his sketches, Austrian designer Ladislaus Zcettel offered a 12-year-old Gernreich a fashion apprenticeship in London, but his mother, Elisabeth, refused as Gernreich was still very young.
In 1938 Gernreich and his mother immigrated to Los Angeles as Jewish refugees fleeing the German Anschluss. Life was difficult, and for a time the family subsisted on pastries Elizabeth baked and Rudi sold door to door. Gernreich’s first job was preparing cadavers for autopsy; although the job was grim, Gernreich claimed it gave him an opportunity to study anatomy, “I do smile sometimes when people tell me my clothes are so body-conscious I must have studied anatomy. You bet I studied anatomy.”
Inspired by modern dancer Martha Graham, Gernreich joined the Leslie Horton Modern Dance Troupe from 1942 to 1948. Dance provided Gernreich with an understanding of motion and how clothing moved with the body. Gernreich became a costume designer, eventually becoming a freelance designer. Gernreich worked for dress manufacturers in California and New York, where he was expected to base his designs off of the already-popular “New Look.” Gernreich subverted expectations of a feminine nipped-waist look when he presented his avant grade, mod designs. Gernreich established his own company in 1960, and also began designing dramatic ready-to-wear sportswear and casual knitwear pieces for Harmon Knitwear
Although high-end, Gernreich created works that were youthful and fun, showcasing his strong understanding of shape, color, form, and the human body. His designs sought to liberate the female form from structured fashion, and to challenge reigning beauty and gender norms. Gernreich spearheaded the mod minidress movement, and among his most scandalous designs are bathing suits with cutouts, topless nightgowns and dresses, thong bikinis, body decals, dresses with vinyl cutouts, and androgynous pantsuits. Gernreich also designed the iconic “monokini” and the “no-bra” bra that was the antithesis of the structured bras that dominated the 1960s, lead the “Total Look” movement that involved a fully-matching outfit, including shoes, coat, hat, and undergarments, all in optical art inspired prints, and produced a conceptual collection in 1970, featuring reveling yet utilitarian unisex clothing that was meant to represent Gernreich’s vision of the future of fashion. Gernreich even produced the clothing in the very first fashion video, “Basic Black: William Claxton w/ Peggy Moffitt.”
In 1967, Time magazine declared Gernreich to be “the most way-out, far-ahead designer in the U.S,” and with his innovative, experimental, adventurous designs, it would be difficult to deny that Rudi Gernreich was a designer ahead of his time.
Martha Weathered imported fabrics and owned a boutique in Chicago. This is one of her suits she had designed and made of beautiful black Persian lamb with large sable trim. The jacket has three quarter length sleeves and gorgeous large black sable trim collar and hem. Persian Lamb wrap skirt closes at side with large black buttons. *Geraldine is embroidered in the jacket but can be covered with a pocket at your local furrier or tailor.
Modern size 2-4
Skirt: W 27, H 36, L 25
*All MRS Couture garments have been professionally cleaned and thoroughly checked before shipping, so that they are ready to wear upon arrival.
Dramatic two piece skirt and top ensemble by Carol Antell! The ensemble includes a fabulous fuchsia pink silk overlayed with black horse hair and black lace making up a stripped pattern. The circle skirt is structured with horsehair, can stand upright on it's own, and bounces wonderfully when worn. The black velvet bustier top features a sweetheart neckline with halter support, and has boning. The set is sensational. Zipper closures.
Skirt is 32" long and a circle skirt. Bustier: Bust 36", Waist 24"
Absolutely incredible Christian Dior skirt suit! The skirt suit is composed of a cropped jacket and midi skirt. The jacket has 3/4 sleeves that end just below the elbow, a rounded shoulder, a jewel neckline with four - button front closure, and a curved edge scalloped front. Cuffs have the same textured buttons as the front closure. The jacket includes an incredible stitched accent hem that curves gently around and across the body. The skirt has wonderful wide pleats that give the suit its elegant sweep. We think it's very Midge Maisel! Lined in a beautiful "Christian Dior" print silk. Created for the Dior New York boutique.
Jacket Measurements: Bust:34 Waist Length:20 Skirt Measurements: Waist:28 Hip:40 Length:30