Designer Spotlight: Vera Neumann

April 05, 2019

Designer Spotlight: Vera Neumann

Vera Neumann (née Salaff) was the third of four children born to Fanny and Meyer Salaff, Jewish Russian immigrants who had settled in Stanford, Connecticut. Vera was an adventurous child who loved the outdoors; she displayed her creativity from a very young age, sketching the nature scenes she saw in her everyday life. In 1928, after graduating from the Cooper Union for the Advancement of Science and Art, Vera enrolled in Manhattan’s Traphagen School of Design, where she explored the possibilities of a career in design.

Vera married George Neumann, whose family was in textiles, and together began “Printex,” a small printing company that they ran from out of their tiny New York apartment. At first, the company only printed placemats, as placemats were the only product that was small enough to fit in their tiny printing press. Fredrick Werner Hamm, a friend of the couple, soon joined the company, and with his sales skills managed to secure an order from the B. Altman department store. Printex soon expanded, and the company moved to a mansion in Ossining, New York. 

In the 1940s material rationing caused linen to be in short supply; Vera found some parachute silk in a surplus store while looking for alternatives. This event was the catalyst for Vera’s scarf business. The scarves became instantly popular; Vera designs were taken from her paintings; Vera, keeping her signature on the scarves, created the concept of a signature scarf. An entrepreneurial woman, Vera championed branding, her little ladybugs were displayed on her pieces. Vera cross marketed her art, using the same print in garments, table fashion, bedsheets, kitchen accessories, aprons, towels, and more. Vera has over 8,000 designs copyrighted at the Library of Congress, and believed that art had a place in everyday life, and should not be isolated to stark gallery walls and the marble halls of museums.

Vera’s colorful, frenetic, bold, playful work held mass appeal; she was rightfully exhibited at MOMA, honored in a retrospective by the Smithsonian Institute, and is archived at the Metropolitan Museum of Art Costume Institute.



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